A Quote by Paul Morley

The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way. — © Paul Morley
The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.
I never think about genre when I work. I've written fantasy, science fiction, supernatural fiction, and am now working on a suspense novel. Genres are mostly useful as a marketing tool, and to help booksellers known where to shelve a book.
I think entrepreneurs are born and not created, and so I think you see a lot of similarities among entrepreneurs in different parts of the world. Their backdrop may be very different, but their drive to create a business and to create jobs remains very much the same, whether it's in Silicon Valley or Kandahar or Kabul.
I am making use of social media as a marketing tool. It's a great way to market yourself and your projects. It's a free marketing tool.
I work in the music world in a kind of very multi-faceted way. I work around the world, in different genres.
It may very well be that people in San Francisco don't think we have any culture in Nebraska, but we have a different culture, and it's a very deep culture. We have these Czech immigrants, who are making this marvelous ethnic food and their Catholic lives and it's very fascinating stuff.
Movies and acting are so much fun. I love playing different characters and doing different genres. It's all still very interesting to me.
For me, things were either very sullied or very pure, very controlled or very under-controlled.
Bedales was perfect for my sister and me. Very open. Very few rules. No uniforms. Co-educational. And very little of 'You have to do this like this.' You very much controlled your education.
The script is very good because the things that happen in it are very believable to me. It doesn't presuppose that the world has changed very much. You don't have to think that you're in a different world.
I feel the responsibility of the novelist is to create a very complex world populated by very complex individuals and to deepen that as much as possible. I don't think the responsibility of the reporter or journalist is fundamentally different.
We won't be different for different's sake. Different is easy... make it pink and fluffy! Better is harder. Making something different often has a marketing and corporate agenda.
When the Romani people came and settled in Gioia Tauro in the '60s and the '70s, they took over a neighborhood much like Africans are doing now that became like their "ghetto". Obviously, there are immense differences in Romani culture - there is more of a distrust of the outside and less willingness to integrate that stopped it from happening. The illiteracy rate is still very high, and they are still very much keeping themselves sectioned off from the rest of the community. I don't think that's going to happen with the African community.
I very much want to inject gay culture into the mainstream. It's not an underground tool for me. It's my whole life.
With 'Stillness', I don't think I appreciated how very codified all the different genres were in radio formats and the various constituencies of the culture. But music is music, too.
The type of acting that I'm interested in, that I aspire to, is where I try and drag a lot of myself into whatever character it is. They can be very different types of characters, but at the heart of it, I always wanted to be a very, very believable and rooted in reality. One of the ways of doing that is to root it as much as you can in your own experiences and then tint those with different hues, different colors to give the different characters their way.
Australia was a very different world and culture from the one I left in Europe. Life was much more spread out. People drove everywhere. They built higher fences. Neighbours didn't interact so much.
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