A Quote by Paul Muldoon
Living at that pitch, on that edge, is something which many poets engage in to some extent.
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Nearly all men and women are poetical, to some extent, but very few can be called poets. There are great poets, small poets, and men and women who make verses. But all are not poets, nor even good versifiers. Poetasters are plentiful, but real poets are rare. Education can not make a poet, though it may polish and develop one.
In some cases, I allow the edge of the set, the edge of my own artificial, artistic imposition, to show up because I don't want to hide from that. I want to acknowledge that there is a living human and a living eye and a living mind and a living heart responding to what's going on out there.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.
Elegant and lucid . . . a pitch-perfect clarion call, issued not with preachy hubris but from a deep place of humility, for awakening to the greatest rewards of living . . . The Road to Character is an essential read in its entirety-Anne Lamott with a harder edge of moral philosophy, Seneca with a softer edge of spiritual sensitivity, E. F. Schumacher for perplexed moderns.
Does something which exists on the edge have no true relevance to the stable center, or does it, by being on the edge, become a part of the edge and thus a part of the boundary, the definition which gives the whole its shape?
The ghosts of Rilke and Wordsworth--along with the 300+ MFA programs, which now seem to employ all Living Poets--have misled the American public egregiously into thinking that poets are morally pure and/or useless.
Never think that wars are irrational catastrophes: they happen when wrong ways of thinking and living bring about intolerable situations ... the root causes of conflict are usually to be found in some wrong way of life in which all parties have acquiesced, and for which everybody must, to some extent, bear the blame.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
Moreover, the universe as a whole is infinite, for whatever is limited has an outermost edge to limit it, and such an edge is defined by something beyond. Since the universe has no edge, it has no limit; and since it lacks a limit, it is infinite and unbounded. Moreover, the universe is infinite both in the number of its atoms and in the extent of its void.
I would like to suggest to you that the extent to which government in America has departed from the original design of in habiting the destructive actions of man and invoking a common justice; the extent to which government has invaded the productive and creative areas; the extent to which the government in this country has assumed the responsibility for the security, welfare, and prosperity of our people is a measure of the extent to which socialism has developed here in this land of ours.
The extent to which lawyers and judges are interfering in politics is something that concerns many people.
To a large extent, the problems of poets are the problems of painters, and poets must often turn to the literature of painting for a discussion of their own problems.
I just said let's get some poets on tv. And when they said that sounded unlikely, I made it worse. I said, no man, I want to put a bunch of black poets on stage, too. Some Latino poets who barely speak English and Asian poets who can't believe how discriminated against they are. It was luck nad being in the right place. I wasn't saying nothing somebody else wasn't saying but they wouldn't hear it from them.
The worst thing is to feel that as a photographer I am benefiting from someone else's tragedy. This idea haunts me. It's something I have to reckon with every day because I know that if I ever allow genuine compassion to be overtaken by personal ambition, I will have sold my soul. The only way I can justify my role is to have respect for the other person's predicament. The extent to which I do that is the extent to which I become accepted by the other; and to that extent, I can accept myself.
Space is the ultimate frontier. I think when people historically thought of the frontier, there was where you were living and then there was some edge beyond which no one had explored.
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