A Quote by Paul Muldoon

It seems to me the structure of the Quartets is too imposed. — © Paul Muldoon
It seems to me the structure of the Quartets is too imposed.
People define gay cinema solely by content: if there are gay characters in it, it’s a gay film... Heterosexuality to me is a structure as much as it is a content. It is an imposed structure that goes along with the patriarchal, dominant structure that constrains and defines society. If homosexuality is the opposite or the counter-sexual activity to that, then what kind of a structure would it be?
I think 'having it all' is a phrase I don't particularly like. You need to have what you want. 'All' seems to me to be an imposed list, an imposed definition by society of what 'all' is supposed to be.
I was unwilling to - without getting too philosophical about it - I was unwilling to structure my spirituality in the way that the church wanted me to structure it.
I am very sure that my children thrive on structure and need boundaries. I know my children need to know what time they are going to bed or how many more minutes until they are leaving for school, and so I have imposed a structure that allows them to know where they are all day long, every day in life.
I do consider the human capacity for violence is the central issue of the social contract. In boxing we have a peculiarly civilized form, in that boxers don't screech and holler. They don't use weapons. All of this seems to me quite amazing, because it is so disciplined, so controlled. It's ritualized, but absolutely genuine. And the cultural structure built around that ritual is absolutely fascinating to me. And it seems to me that boxing is one of those structures that is designed to promote harmony. I think that it is a stove that contains that fire in us and makes it safe and useful.
I tried to resist his overtures, but he plied me with symphonies, quartets, chamber music, and cantatas.
It seems to me like a perversion of talent for an artist of any kind to further the corporate structure of America or the personal interests of the morons and thieves who run it.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
It seems to me that we all look at Nature too much, and live with her too little.
If you go into the mainstream with a female perspective that seems to resonate with a lot of people, you have a political agenda imposed on you: you are told that you are a feminist.
Historically, unfortunately, race seems to be the major division that humanity has imposed on itself, a way of subdividing into smaller groups.
My grandmother got me recordings of the 'Goldberg Variations,' in addition to the 'Brandenburg Concertos,' the Mozart string quartets and Beethoven's 'Seventh Symphony.'
My face seems too square and my eyes too big, like I'm perpetually surprised, but there's nothing wrong with me that I can fix.
It is one of the great paradoxes of the stock market that what seems too high usually goes higher and what seems too low usually goes lower.
Because I'm a novelist, I think in terms of structure. The way I keep going is through structure. It's what inspires me and pushes me through.
While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.
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