A Quote by Paul Muni

A writer can write in an attic, or on top of a bus. Or with a sharp stick in some wet cement. To act, an actor has to have words. A stage. a camera turning. — © Paul Muni
A writer can write in an attic, or on top of a bus. Or with a sharp stick in some wet cement. To act, an actor has to have words. A stage. a camera turning.
Some people are writers and don't ever want to be on camera, some people act and not write - I like writing words for myself to say.
My favorite films left the camera rest, and the actors and characters have a stage to act. Move the camera when it's motivating.
The true writer, the born writer, will scribble words on scraps of litter, the back of a bus tickets, on the wall of a cell.
Political image is like mixing cement. When it's wet, you can move it around and shape it, but at some point it hardens and there's almost nothing you can do to reshape it.
While I was there, I was just gathering images and names, and ideas and rhythms, and I was storing all of these things - which I didn't realize I was doing - but I was storing them all in an attic in my mind somewhere. And when it was time to sit down and write songs, when I reached into the attic to see what I was gonna write about, that's what was there.
The imagination doesn't crop annually like a reliable fruit tree. The writer has to gather whatever's there: sometimes too much, sometimes too little, sometimes nothing at all. And in the years of glut there is always a slatted wooden tray in some cool, dark attic, which the writer nervously visits from time to time; and yes, oh dear, while he's been hard at work downstairs, up in the attic there are puckering skins, warning spots, a sudden brown collapse and the sprouting of snowflakes. What can he do about it?
The first year of marriage is like wet cement
To act: that is what the writer would like to be able to do, above all. To act, rather than to bear witness. To write, imagine, and dream in such a way that his words and inventions and dreams will have an impact upon reality, will change people's minds and hearts, will prepare the way for a better world.
I wanted to be an actor. Maybe a comic actor, but an actor. That's what got me into acting was putting on an act, because in life, I wasn't funny and I felt on stage or in the movies, I could do whatever I wanted to. I was free.
With Parkinson's, it's like you're in the middle of the street and you're stuck there in cement shoes and you know a bus is coming at you, but you don't know when. You think you can hear it rumbling, but you have a lot of time to think. And so you just don't live that moment of the bus hitting you until it happens. There's all kinds of room in that space.
For a stage actor to be there with the words and the creator of the words - it doesn't get much better than that.
I'm an actor, not a writer. I'd be pretty annoyed if the writers tried to come in and hang over my shoulder telling me how to act, so I don't go in and tell them how to write.
I don't call myself a writer, much as I'd love to be. An author, maybe - the novel 'Voyage' made $870,000. Writer, no. Nor am I an actor. I was never on the stage.
To play on top of a bus is something we've never done before - we did play on the Red Bull Tour Bus once in Bangalore last year, but it's always a one of a kind of experience to jump on the bus and sing.
My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
My dad, as a guy, had to quit school in the ninth grade, fought in the Battle of the Bulge. And spent his life pushing wheel barrels of heavy wet cement. So we've gone from pushing cement to now in one generation pushing legislation. But we always want any president to succeed, to do well; that means America does well and Americans do well.
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