A Quote by Paul Murray

Some bruises you wear like badges of honour: when you got it playing rugby, or quad racing, or falling off something while drunk, no opportunity is lost to show off a good contusion. A bruise inflicted by someone else, however, is a whole other story: it's like a big flashing arrow marking you out as punchable, and before long there'll be boys queuing up to add bruises of their own, as if they'd just been waiting for somebody to show them it could be done.
When I started out in fashion, everything had to be very structured and tight and controlling, and now I'm getting to a point where I think - I could wear a great big parka, that could be quite fabulous. I haven't always got to show off my size, show off my shape. It's a turning point for me.
When I got out of the Army, I started writing the usual 'Catcher in the Rye' imitations, and then I wrote something that was done Off-Off Broadway in a theater. It was called 'What Else Is There?' and it was four or five people playing missiles in a silo waiting to take off.
I had an opportunity to move to L.A. back in 1999 and start up a horse racing network of all things. At the time, I was younger and married but didn't have kids; so we thought, Let's just go to L.A. for a while and have fun, and we can always come home. One thing led to another; and once I was out there, I had my eyes opened to this other world and quickly got a home and gardens show and did a game show and then The Bachelor ended up falling into my lap in 2001. And 'the rest is history' as they say.
I wear my musical heart on my sleeve and show all my influences off. I'm happy for someone to point out that my song sounds like someone else's.
We are actors who show up for work in our sloppy gear, and we've got this extraordinary tailor. It's someone else who's done the design; someone else who's cut the suit; someone else who's measured it. Basically, your job is to just wear it.
But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds.
At first it was a bit strange and daunting to have to wear a mask, but afterwards I came to enjoy it. In warm conditions, though, it started to slip off my face. Other times they used this double-sided sticky tape, and I literally couldn't get it off my face. I would feel like I was ripping my face off and I had a lot of cuts and bruises because of it-huge red marks. People might think it was method acting.
My dreams are always quite attainable, I wouldn't like to spend a lot of money on a car. I've got a mental block about splurging on something so visible like that. I could do it on a watch or something because that's quite personal and it isn't something that's on show all the time, but with a car everyone thinks you're a show-off. But one thing I would really like is a Ford Mustang - for me, that's the attainable dream. You look at it and you just think "F*** yes!" - you can hear an electric guitar solo playing in your head!
I'm just focused on getting to the end of each show and feeling like we've done a good job when we walk off stage. And a perfect show isn't necessarily about making the audience feel good. I know I've done my job well if I've made people feel... interesting. I like to leave them a little stunned.
This fall I think you're riding for—it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started.
You see, Hansel and Gretel don’t just show up at the end of this story. They show up. And then they get their heads cut off. Just thought you’d like to know.
So as long as I can do something like this kids show or I can go off and film polar bears or I can do some radio and stuff, and sort of keep other strings in my bow working, then it's good.
Coming off a show like 'Lost,' there were other offers, but it was difficult to get excited about anything because 'Lost' was such a great piece of writing and such a hit show.
I'm a very smug show-off at heart. I'm altogether too pleased with myself. The big boost for me is to be able to turn out something that I think is pretty marvelous, like 'Lost Girls.' I'm not in it for money, I'm just in it for the glory.
I want to show off how big I am; I want to show off my long arms, my big hands - just loving myself.
Basically we learned not ever to do a show like that [ Gigi Does It] again. That took me to a limit that I didn't know I had. First off, I show-ran the show and was the head writer. I had never done anything like that before. It was an immense responsibility.
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