A Quote by Paul Newman
I cannot bear to look at a film that I made before 1990. Maybe 1985. There's no sense even trying to explain it. I really just can't watch myself. I see all the machinery at work and it just drives me nuts, so I don't look at anything.
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I really just can't watch myself. I see all the machinery at work and it just drives me nuts.
I'm one of those people who can't watch themselves do anything. I could never watch myself wrestle. I've probably watched a handful of my matches. I never could watch myself. Even when I played college basketball, I hated film days... 'Oh God, I'm gonna watch myself screw up.' I'm just one of those people who can't watch their work.
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
I don't really look at myself as a power hitter. I look at myself as someone who drives the ball to the gaps, hits line drives.
When people would ask me what I was doing, I'd be like, 'It's a horror film.' 'What is it about?' 'You'll just have to see it.' I really didn't want to explain it because it's really tough to explain without it just sounding really ridiculous.
If I ever thought of directing again, I mean - I don't know, even the idea of directing a film is a strange one for me, because I feel kind of anti mathematics in a way in that sense. Anti - I don't like when things make sense, I prefer if they don't, so if I made a film, it wouldn't make any sense and no one would see it. So maybe I'll just make little films at home with my phone, never to be released.
I can’t see through clothes or anything. Just glamour skin. Except I can see through all of you, since your clothes aren’t real.” I stopped, horrified. “I mean, I don’t look—It’s hard to see you, and I like looking at your real face, but I don’t try to see anything, because—Oh gosh, this sounds terrible.” He had a funny look on his face, like he wasn’t sure what to think. “Huh. That’s never been an issue before. Maybe next time you could bring me some shorts.
Kevin Feige and I have very smart people who work for us, who make sure that we see everything. And that we actually see everything. They see everything, tell us about it, we see it. You have to have people who work with you, who say 'you have to look at this film'. And then you look at it. You really have to look at it. You have to look at movies all the time.
Whenever I see a mirror, I just look at myself, or when I see my own reflection, I quickly take a look; I won't lie about that. But when I am in front of the camera, it's just the character, not me.
Rain Man certainly didn't test really well. If you look at it carefully, you have a disease autism they didn't understand back then, they didn't know in the test audience whether it's okay to laugh or not laugh, because it's a film that's done in a way where, "Well, maybe I'm not supposed to laugh." At the end of the film, Dustin Hoffman gets on the train and doesn't even acknowledge his brother. Not even a glance, nothing. That's why the studio said, "Can't you just have him look at Tom Cruise at the end of the film?"
I can't possibly be objective about myself. I can look at my other colleagues work, and they are all tremendous, really. To see their faces, to see their expressions, to see how they were sitting in their chair uncomfortably, and start crying even, is a great testament to what film can achieve.
How do I stay confident? I just look at my accomplishments that I've made so far. It's a very conceited thing to say, of course, but I just look at everything I've done and all the fans that write letters to me. Sometimes I even look at the good YouTube comments and really pay attentions to them. I've inspired a lot of kids, and it's not every day you get to hear about that when you have this kind of career.
I've been stocking my nuts away like a squirrel for 15 years. I don't have kids, I don't have a wife. I own my own house. I don't owe anybody for it so I put my nuts away. I really made a commitment to myself to just do what I like to do and want to do, and not to do anything. I'm not even going to give six weeks away for money anymore, you know?
No one's banging down my door. People see the way I look, and they don't feel threatened, but they should watch out for me. They don't know there's a steel rod that drives me. I get ticked off, and the rage just gets me going. My motor is anger.
I never watch the dailies. What I usually do is have a look at the rough or final cut, and I just get something from the story. Sometimes I start composing even before the director has shot anything. The dailies don't help me at all.
Even though I'm an actor, even though I know a little bit about film, I very much view things as an audience member. For me, whether it's TV, film, theater, whatever, it's a big movie, a small movie, whatever it is, I look for the truth in it. I look for the honesty. I just look for if it feels honest and real to me.
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