A Quote by Paul Newman

I was terrorized by the emotional requirements of being an actor. Acting is like letting your pants down; you're exposed. — © Paul Newman
I was terrorized by the emotional requirements of being an actor. Acting is like letting your pants down; you're exposed.
Acting is like letting your pants down; you're exposed.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
So you go on and on, with this intellectual fly down, your underwear exposed, and toilette paper hanging out the back of your pants.
If you make a fool of yourself, you can do it with dignity, without taking your pants down. And if you do take your pants down, you can still do it with dignity.
Confidence. That's huge as an actor. Confidence can get you a long way. Maybe it's a cultural thing, being Korean, but my first reflex has always been to exude humility - but it doesn't help you in acting. For acting, humility isn't the best thing. It'll weaken your work. So it's a head game for me. "Can I really be confident in knowing my skill set is down? Can I perform like I own this role?"
I became an actor to escape my own personality. Acting is the most therapeutic thing in the world. You see, through acting you come full circle in your personality and, oh, what a grand time you can have along the way being wonderful people through your characters...I think all the courage that I may lack personally I have as an actor.
The most difficult thing about acting and directing in a film is acting and directing in a film. Every ounce of your physical and emotional being, and your analytical and thoughtful and producorial being, is being exercised at all points. You are 100% working on overdrive, but because it is only for X amount of days, if you have the stomach for it, you hustle through. It's a massive undertaking, and I think preparation is the key to success for that endeavor.
I'm from Texas, so we used to wear our pants starched down like a cowboy. So when I got to New York, to New Jersey, everybody was laughing at me like, 'Look at his pants! His pants could stand up by themselves!'
By accepting life before it happens, and letting go of your inner resistance to all things you cannot change, you unlock true emotional freedom from all of your self-imposed emotional pain.
When I'm acting, I wish I was out there, being a part of it and making it. It's all on your name to do that. It's your vision. You're going to get slandered for your work, and I like that. As an actor, it's so hard. I'd rather direct than act.
When you're watching a movie and find yourself getting emotional, it's because you're bringing something personal to the images. It's the same thing with acting. You're bringing the essence of your core emotional being to that moment.
I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
I don't like letting anyone down. Not many people get satisfaction out of letting others down.
I am very much a seat-of-the-pants actor. I will prepare when I have to. But I like being unprepared.
If you walk into somebody's office with your hair uncombed and a pick in the back, and your shoes untied, and your pants half down, tattoos up and down your arms and on your neck, and you wonder why somebody won't hire you? They don't hire you 'cause you look like you're crazy!
Being exposed to the diversity of music I was as a kid made me the actor I am today. As an actor, you have to adapt and do so many different things.
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