A Quote by Paul Nurse

This time at Birmingham turned me into a general biologist, and ever since then I have always tried to take a biological approach to any research project that I have undertaken.
The truth is that neither then nor at any former time, since I had attained my maturity in Age, Reading and reflection had I imbibed any general Prejudice against Kings, or in favour of them. It appeared to me then as it has done ever since, that there is a State of Society in which a Republican Government is the best, and in America the only one.
Projects are usually undertaken to either solve a problem or take advantage of an opportunity. The probability that the project - even if precisely executed - will complete on time, on budget, and on performance is typically small. Project management is utilized to increase this probability. So in a sense, project management is risk management.
With this project ["This Is Mike Stud"] in general, I tried to put my life on record. All of these things I'm going through right now, I used to dream about and didn't think could ever happen to me.
I've never like had a system or a program, I always think that I don't know how to act. I'll adapt to any director because I don't really have a set way that I do things. If a director hires me and says, "I want you to get started right now and do this research, this research, this research and I want you to have every line memorized before you ever show up for the first day," then that's what I'll do.
We needed to do "Community Project" to feel comfortable doing our own thing, and then "That's It That's All" was this experiment with camera technology and shooting snowboarding a little differently. "Art of Flight" was that dream of "That's it That's All" realized. Then we didn't want to make an "Art of Flight 2," so we stepped back and tried to take a different approach to create a more multi-faceted film. "The Fourth Phase" has more of a storyline, and it was much more personal for me.
We should always keep an open mind about any new phenomenon in nature. To merely say that's impossible, therefore it doesn't exist, is to commit a serious error. A much better approach would be to say That's quite unlikely, but show me the evidence you have that says that it may be so. It would be the height of arrogance to think that man knows everything possible about the Universe or the Earth. There are many things yet to be discovered, and that is why we have scientific research (or any kind of research). That should be the rationalist's approach to parapsychology and the occult.
I look for something that can challenge me or makes me ever so slightly afraid - fearful of how I am going to approach it - then I'll go for it. If the project appears linear or predictable, then I'll usually give it a miss. Anything that involves me being stretched as an actor, I go for.
The mechanist is intimately convinced that a precise knowledge of the chemical constitution, structure, and properties of the various organelles of a cell will solve biological problems. This will come in a few centuries. For the time being, the biologist has to face such concepts as orienting forces or morphogenetic fields. Owing to the scarcity of chemical data and to the complexity of life, and despite the progresses of biochemistry, the biologist is still threatened with vertigo.
Half-jokingly, I asked what was wrong with me. So we made a deal: I would run his biological research provided I had a free hand to run my new project.
For me, everything is still possible and I am as determined as ever. I believe first that the project of a people does not die. It is the project of freedom for a people, it is a project of sovereignty. And since the nation exists, it has the right to its own state. I will work to advance it in that direction.
When a man says to me, 'Let us work together in the great cause you have undertaken, and let me be your companion and aid, for I admire you more than I have ever admired any other woman,' then I shall say, 'I am yours truly'; but he must ask me to be his equal, not his slave.
Jordan Vogt-Roberts directed me in 'Kings of Summer,' which was his debut feature. I got to witness the passion and hunger that first-time directors bring to projects, and ever since, then I've been very intrigued when I've come across a project with a less experienced director.
Since the age of 15 poetry has been my ruling passion and I have never intentionally undertaken any task or formed any relationship that seemed inconsistent with poetic principles; which has sometimes won me the reputation of an eccentric.
If you cut me I bleed Birmingham. Others would say it's being a woman, but coming from Birmingham is the single most important part of my identity. I'm not always sure I feel English or British, but I always feel like a Brummie.
I have always been English, ever since I emigrated from England and since the kids in Canada beat me up at the age of twelve for having an East London Cockney accent. I thank them for the cockney taunts because the beatings turned me on to boxing. But on a serious note Canada has been kind to me.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
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