A Quote by Paul Oakenfold
I think anybody that is going to be taken seriously in [music] industry needs to produce their own original music.
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I think the business of music has really taken a huge hit. There's no doubt about it. But an artist is always going to produce their art, their music. They're going to paint, they're going to write.
I think we're returning to more of the original vibration of music and creativity through the removal of this distortion called the music industry. That's where we're heading. And it'll cut out a lot of music if people ever expected to make money.
There's prejudice everywhere. I don't think the music industry is as bad as the movie industry. But I have taken a few hits over the years for my sexuality, and for being honest about my life. In the end, it's the music that rules the roost.
I would give the same advice to anyone, celebrity or not. Produce your own music, keep in original, and be real. You need to earn the respect of your fans for your original work in music, and not rely on your celebrity in other mediums. The same would apply for actors who sing, dance, or even play sports.
People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.
My music is simple stuff. Anybody can sit down, look at a set of symbols and produce sounds the music represents.
I was never pop-music taken seriously when I was taught. But some people who agree with you will like your music, and some who don't agree with you will like your music. I think that if you can approach things in a universal fashion and speak rationally about things, then most people do have similar intrinsic values. They don't - or at least they feel that they shouldn't - want other people to suffer. They want a good life for them and their own.
I think the States is a huge part of the music industry worldwide. There are so many other artists and music industry people here, so I think to be working my audience here is definitely a go.
A lot of people would say "well that's not a bad reputation. you sound like a pussy" and I would say yea. but I am passionate about music and being taken seriously about my music, so if you're going to mess with that, we have a problem.
When I got into the music industry, I wasn't focused on being the most famous artist or even getting a major record deal. It was just to make music on my own terms or create my own image, do my own hair, do my own makeup.
I'm very lucky to work in so many different arenas of the entertainment industry and I do enjoy them all, but making music - original music - in the studio or live onstage is definitely my favorite thing to do.
I think the music industry is something that's very separate from music. So, by always staying on the music side of it, I've found success.
A whole generation of veteran composers has never taken a stand or provided an example and has produced in the music academies generations of docile workers for the music industry. What can you expect from downtrodden workers who see music as a type of profession, like stenography, and not an act of creation that by its nature is subversive?
I'm not saying you can't be successful in the music industry without Spotify. But when I look at the future of music, I don't think scarcity is the model anymore. We have to embrace ubiquity - that music is everywhere.
It's hard to be taken seriously if you're a young, female artist making pop music; you never know how people are going to react.
You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.
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