A Quote by Paul Oakenfold

Can you imagine Grandmaster Flash on a laptop? — © Paul Oakenfold
Can you imagine Grandmaster Flash on a laptop?
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
I am one of the founders of Hip-Hop along with my brothers Kool DJ Herc and Grandmaster Flash.
My romantically favorite era is 78, 79 listening to Grandmaster Flash and the Furious 4, the live tapes, echo chamber and break beats.
I named myself Flash many years ago, as I loved the cartoon. Then my own fans said that I should call myself 'Grandmaster,' because of the way I operate turntables. I put the two together and that was it.
I had Ice Cube on my first album, "Bunker," and then I did a remix for Snoop Dogg. I've worked with Grandmaster Flash and Pharrell. It's a different work process and there's a different take with how you produce [hip-hop].
So to compare the Beatles, obviously the Beatles are the Beatles, but in hip-hop terms, Tribe is the Beatles. Grandmaster Flash and the Furious Five are the Beatles. Big Daddy Kane is Jimi Hendrix. It means that much to people that grew up with it.
Flash is about freedom; Flash is about expression. Flash is about just the joy of exuberant running and of freedom, and the moment you weight him down with too much Batman-like baggage... that's not the Flash anymore.
Rap is the only super-current music. If you're into reggae or dancehall, and you don't know Bob Marley, then you don't really know what you're listening to. But if you're listening to rap, and you're 15, you're like, 'Grandmaster Flash? Who's that? Public Enemy? Yeah, my dad told me about them once.' And that's just how it is.
Give me lust, baby. Flash. Give me malice. Flash. Give me detached existentialist ennui. Flash. Give me rampant intellectualism as a coping mechanism. Flash.
My studio is a laptop. Everybody I work with is the same. We make computer music, we're the laptop generation.
If your house is on fire and you can only escape with your life and one thing, what one thing would you take out of your house? I got to think my laptop is the one thing that is totally irreplaceable. Either that or my son. Laptop. I'll go laptop.
I currently use Ubuntu Linux, on a standalone laptop - it has no Internet connection. I occasionally carry flash memory drives between this machine and the Macs that I use for network surfing and graphics; but I trust my family jewels only to Linux.
On the song 'Step,' the chorus is Ezra is singing into my laptop with the laptop microphone, and you can hear the trains going by my apartment, but we liked the quality of that recording.
Mesh networking is an old idea. Oddly enough, the low-cost XO Laptop built by the 'One Laptop Per Child' organization - the so-called $100 laptop - was designed with built-in mesh networking. The idea with the XO machine was that many kids using those laptops would be out in rural areas without reliable Internet access.
I remember having computers at my parents' house growing up. We had different desktop PCs, but my first laptop was an IBM ThinkPad laptop. It was big, bulky, slow and terrible.
Imagine your body replaced by dust and vapor, and having a tingly feeling in your stomach without even having a stomach. Imagine having to concentrate just to keep yourself from dispersing into nothing. I got so angry, a flash of lightning crackled inside me. “Don’t be that way,” Amos chuckled. “It’s only for a few minutes.
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