A Quote by Paul Pierce

At some point we all have to move on. Im here to create some kind of legacy in Brooklyn. — © Paul Pierce
At some point we all have to move on. Im here to create some kind of legacy in Brooklyn.
don't talk about legacy. I have a job to do, and I'm doing it. And I'm not expecting a legacy and I'm not expecting to get pride from some legacy, I'm doing a job that I believe needs to be done. I am willing to do it for the time, and I am not looking for some kind of an accolade or whatever. I don't consider myself anything special. I work hard.
I think that the mourning process of the film involves discussing it, dissecting it, and at some point, you get bored with it. I'm not there yet, but I know I will be there at some point. That's the moment when I know I need to turn the page and move on and recharge my batteries.
You have to move on with your life at some point. You don't quit fighting, fighting quits you at some point. It's very unfortunate, but that's the nature of the beast. And that's one of those things, too, that I like to tell young fighters. Have a backup plan.
It's easy to think that craft can't change but important to remember that all craft process was at some point new, at some point challenged convention - not to be contrary, but enabled by some breakthrough, some newly discovered principle, or sometimes some wonderful accident.
Brooklyn is a hub; people move to Brooklyn because of what's already in Brooklyn.
At some point, you have to sit down and face the page alone. At some point, the final decisions need to be yours. At some point, you have to give yourself deadlines and stick to them.
Well, I was lucky in that my being an actress totally overshadowed my having some kind of a... legacy at Yale, so that was kind of great.
It meant that she belonged some place. She was a Brooklyn girl with a Brooklyn name and a Brooklyn accent. She didn't want to change into a bit of this and a bit of that.
It was very definitely architectural. I was using the words on the page as some kind of equivalent of a physical model. But I never thought at that point that I wanted to move toward architecture. I wanted to move toward real space. Sure, that's probably another way of saying, I want to move toward architecture. But I didn't define real space in terms of architecture, then.
I think that everything I've ever done at some point is part of someone else's legacy.
Im not trying to stay in the same place and Im not trying to compete with whats currently in fashion. That would be dishonest. But, at the same time, Im different and the music reflects that to some degree.
We dream forever unless we awaken. We move from one dream to another, some beautiful, some we're the hero or the heroine, some horrible, some nonsensical, some boring.
People hire me to create some kind of archetype or some culture type, or something. I guess they accept whatever I come up with.
What I found was when I started my first study, and then in subsequent studies, is here you have people under some kind of duress, or I chose to study them because they represented some kind of historical event, as it impacted on them or as they helped to create it.
Being in New York as a whole, Brooklyn as well, you can do anything you want. That's by far the best part about New York, besides just the hustle and grit and grind of Brooklyn specifically, but the best food. Anybody you want to get in contact with, odds are if they don't live in New York, they're passing through New York at some point in time.
It's good to get out there and kind of move the body around a little bit, play some hockey, enjoy Nashville as a city and spend some time with family and friends.
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