A Quote by Paul Provenza
We didn't choose the joke because it's filthy! We chose it because of the structure!
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As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
Some decisions are hard, some are easy, but either way it's our choices that matter. Who we chose to align with. What we choose to give in to. What we choose to resist. And most of all, who we choose to be. Because it is always our choice.
I didn't choose Goldberg because I wanted to be the flagship for the Jewish movement, not by any stretch of the imagination. I chose Goldberg because no one else can own it.
I chose the shadows; they did not choose me. I stay here securely not just because I feel plain, but because disappearance is by now the easy way. The habit. The worn path that I can trod knowingly and be assured safe passage home.
I do not choose characters because I think, 'Wow, that woman is so strong.' I chose these characters with utmost conviction because I think they were realistic enough to exist, and I really liked the scripts.
When I could choose which national team to play for, I could choose between Luxembourg, France, and Bosnia, and I chose Bosnia because I felt it was important to demonstrate, especially to the young people, that a dream can become true.
She'd stood by that creed. No softness, because the world wasn't soft; lots of laughter, because if you were in on the joke, the joke couldn't be on you; And no wanting what you couldn't take, because the world never gave. Or so she'd thought.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.
You don't want to just do a joke because it works - we can make a lot of jokes work - you want to do a joke because it will hopefully build into an argument.
You and I are not Muslim, because we are born in a Muslim family. You and I are not Muslim, because you read a book about Islam, or saw a Youtube video and decided to become Muslim. We are Muslim, because Allah chose us. Allah chose us.
I find that I have more allies on the left than on the right, and that is because the left is, by and large, filled with people who are challenging the present paradigm and power structure. I’m interested in totally transforming the structure that exists now, because it is not sustainable.
It reminds me why I chose Dauntless in the first place: not because they are perfect, but because they are alive. Because they are free.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
When everything works best, it's not because you chose writing but because writing chose you. It's when you're mad with it, it's when it's stuffed in your ears, your nostrils, under your fingernails. It's when there's no hope but that.
Choose to be entrepreneur because then YOU create value. Choose to be an entrepreneur because the products, services, and jobs you create then become the lifeblood of our nation. But most of all, choose to be an entrepreneur because then you desire a life of adventure, endless challenge, and the opportunity to be your BEST SELF.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
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