A Quote by Paul R. Ehrlich
If we were redesigning around people instead of around automobiles, which I think the market is more or less going to do, although too slowly, than I'd be a lot cheerier.
Related Quotes
When I get hurt in the market, I get the hell out. It doesn't matter at all where the market is trading. I just get out, because I believe that once you're hurt in the market, your decisions are going to be far less objective than they are when you're doing well If you stick around when the market is severely against you, sooner or later they are going to carry you out.
That's the kind of death that frightens me. The shadow of death slowly, slowly eats away at the region of life, and before you know it everything's dark and you can't see, and the people around you think of you as more dead than alive.
I think you've got to worry when you start flying flags. There's a lot of political connotations that come with waving flags around the stage. But the flag will make an appearance. I think it's more likely to be draped around an instrument than waved around.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
If it were the Clinton people, they'd be sitting around figuring out how to pull themselves out. Instead the president is continuing to go around the country and peddling Social Security, which the needle is not moving on.
I resolved to move just a little bit more slowly through the world, to look around myself with greater care, and to try to remain conscious of all that was going on around me at all times.
I think I entered the market around the time when there was getting to be less snobbery about the difference between feature films and television. I think there's been a lot more receptivity on television to interesting adult stories that in the '60s and '70s would have been made into feature films. I have no problem jumping back and forth. If anything, I find it less restrictive working in television.
During the Enlightenment, there were brilliant thinkers who realized that, if you assume most people are naturally selfish and you construct the market around that, sometimes it can actually work for the common good. I just think that in many cases, it went too far.
Just as we were finishing 'Paul's Boutique' we got our own places, and I was going out to clubs a lot less. I got a bit more introverted and spent a lot more time on my own reading. I would just go down to the esoteric bookstore and wander around.
Mr. Market does not always price stocks the way an appraiser or a private buyer would value a business. Instead, when stocks are going up, he happily pays more than their objective value; and, when they are going down, he is desperate to dump them for less than their true worth.
By going to the movies, and because of other things, too, going to college, making a wide variety of friends, moving around traveling, I became a lot more open-minded than the heritage I was born into might have suggested.
We're weird guys. I don't know if a lot of people get our humor. A lot of people probably think we're jerks. We're real sarcastic. Really ironic and stuff. We mean well, but we joke around probably a lot more than we should.
I think we're realizing that gay people are able to do the type of comedy that we just assumed was for straight people over the years. Whatever old boundaries there were, which were very real and still have an effect on us, in the way we socialize, I think that's slowly becoming less important.
'Shadow and Bone' was my first book, and I think I was unconsciously echoing a lot of the fantasy that I had grown up with, which sets a kind of default for straight white characters. And that's something I've tried to improve on as I write, to write more authentically and reflect the people around me in the world, around me more realistically.
I feel like an expressionist nihilist deep in my heart. And I think nihilism can stop the wheel from going around, around, around, around, around - saying the same thing, reacting the same way.
I think there can be a misrepresentation of who I am a lot of times because I might be more quiet than other artists. I don't walk in the room going, "Here I am!" I'm going to be the guy standing in the corner taking everything in. I think that can be taken the wrong way, as if I'm not interested in what's going on around, but it's not really the case.
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