A Quote by Paul Reiser

A new child in the house is a huge tourist attraction. It's like Disneyland, except there the lines are longer and no one brings casseroles. — © Paul Reiser
A new child in the house is a huge tourist attraction. It's like Disneyland, except there the lines are longer and no one brings casseroles.
What do the contours of your body mean, laid out like the lines on a hand, so that I no longer see them except as fate?
Bourbon Street is like playing, a tourist, you know? It's just a tourist attraction ... those musicians on Bourbon Street, they play all day. They might start at 12 noon and end at 3 in the morning, like, it's like sets, like a job. You go play, take a break, play again, take a break, then later on that night, the club gets busier, then you play some more. There's pride. They're a group of great musicians- and they're holding it down.
To be a mass tourist, for me,...is, in lines and gridlock and transaction after transaction, to confront a dimension of yourself that is as inescapable as it is painful: As a tourist, you become economically significant but existentially loathsome, an insect on a dead thing.
I'm not really a tourist attraction kind of guy.
My attraction had been immediate and profound. And it had nothing to do with the way he looked. My attraction was to what resided between his lines.
In fact, Tibet is one of the most popular European tourist attraction of asia.
When I was a child, I spoke like a child. When I was an adult, I no longer spoke like a child. When I became old and wise, I spoke again like a child. I wish I had spoken all my life like a child.
Halfway down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon Elm.
I like being New Orleans. Different aspects. You have the lake house. You have a huge, almost plantation-style house, so I like the different elements of the city and what the city has to offer and putting it on the screen.
We Harvard students live in a tourist attraction with movie stars and geniuses; we're recognized on all continents as the creme of the brulee, the syrup on the pancakes of greatness. Yet most of us complain like vegans at a barbecue cook-off.
I've been to Disneyland, like, 10 times. I'm getting really tired of Disneyland.
I have an admiration for Mr. Eastwood that borders on the kind that I have for the Grand Canyon. Like it, he is craggy, worn, awesomely impressive and unique, a living four-star tourist attraction that, in the formulaic words of the Guide Michelin, 'vaut le voyage.'
I hope I'm not a tourist attraction - I'm sure that they come here really because St. Andrews is just amazing, a beautiful place.
Tourism as a number-one industry is a terrible, terrible idea for any city, especially New York. If you were going to turn a city, which is a place where people live, into a tourist attraction, you're going to have to make it a place that people who don't live here, like. So I object to living in a place for people who don't live here.
Disneyland is like Alice stepping through the Looking Glass; to step through the portals of Disneyland will be like entering another world.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
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