A Quote by Paul Reubens

Part of what I do comes from the fact that I don't know any jokes to tell. And when I do they're really flat and don't work. — © Paul Reubens
Part of what I do comes from the fact that I don't know any jokes to tell. And when I do they're really flat and don't work.
My parents are really funny. Laughter was a big part of my childhood. Of course, they tell a lot of bad jokes - but so do I. I tell a lot of bad jokes.
One of the great things about us Jews is that we tell the best jokes. Part of the reason is we tell jokes against ourselves - before anyone else gets to do it.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
I love those people who do story-telling and who ramble on, but I don't do that, I tell jokes - the sort of jokes that anyone really could tell in the pub.
My husband jokes that I'll invite people over for dinner and he won't know who they are or where I met them. But in my work world, I've never really been tempted to tell too much of my story.
I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
When you look at any of my films you will immediately be able to tell this is a [Werner] Herzog film. Even if you didn't have any credits, in two minutes flat you would know.
Funny stories on set - there are thousands of them, but they are only funny to the people who were on the movies. You start to have inside jokes and gallows humor. You have all kinds of things you laugh at, but as soon as you tell somebody, the joke falls flat because they don't know the context of it.
I never really feel like just standing there and telling jokes. I want to move around. In fact, it's hard for me to write a joke where I don't end up on the ground for some reason. Hey, at least that way, I know no comics will steal my jokes. Too many bruises.
I've found that Hollywood's a really honest business. They don't pull any punches. They tell you exactly what you want-I want the fake breasts and the flat car and the big pool. You know, they're real up-front about it.
I'm not good with jokes, no. I don't know a joke at all. I like being told jokes, but I can't tell one myself.
I've always been terrible on regular sitcoms with lots of jokes. I don't know how to tell jokes.
I make comedies and I always try... I don't try but I allow to have at least 5% of the jokes or have some jokes that I know will be understood by only about 5% of the audience. It's that guy in the corner who gets it and laughs. But he has to have his jokes too. That's part of my audience. Part of my audience is the people who will only get certain things.
Some comedians tell nice jokes that you can tell to your kids. Some use bad words - they work 'blue.' If you don't want to hear a joke that's blue, you shouldn't go to a comedy club where a comedian who makes blue jokes is performing.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
This site uses cookies to ensure you get the best experience. More info...
Got it!