I learned from Francis Ford Coppola to treat the company like your family.
Francis Ford Coppola is completely unconventional. He has a strong sense of loyalty. Great eyes. It's a diabolical undertaking in terms of organization and leadership.
I always think Michelle Williams is excellent in her work. And I do love Sofia Coppola. She always creates something so atmospheric. I love Wes Anderson, Roman Coppola, Andrea Arnold.
I got turned down for a million jobs until I got my first movie with Francis [Ford Coppola].
My existence was never a Francis Ford Coppola existence.
I have decided never ever to put on weight again. Not even if Francis Ford Coppola were to offer me a role in exchange for putting on 25 kilos!
I had four years of auditions, and nothing happened, until Francis Ford Coppola took a shot on me ['Tetro' in 2009]. I hadn't done a film, and suddenly I was the lead.
If I tried to somehow wrap my head around the fact that Francis Ford Coppola directed my first movie, there's never a slot into which that ever fits in your mind.
Like I've known Francis [For Coppola] for so long I think, "Oh, Francis." And then you see his name on something with The Godfather, and you go, "Oh, yeah. He's also that." The person you knew of before you met the actual person.
Francis [Ford Coppola] was on the cover of Time Magazine for One From The Heart and for owning a studio, and he was fresh off of Apocalypse [Now] and The Godfather films, so he was at the absolute top of his game and legend [in The Outsiders ].
That's something that Francis [Ford Coppola] would always say. I remember when I was doing Tetro, he said, "Stay innocent. I'm 69 years old, and I'm still innocent."
Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.
A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
I don't say, 'Francis Ford Coppola, what a wonderful Italian-American director.' I judge him based on his film, his craft, his art. That's the way I feel I should be dealt with in this industry.
Francis Ford Coppola didn't come out of the womb with The Godfather. He had a whole build up until he got to that point. I think it's okay to fail. That's how you learn. I think that's hopefully what people can take away from this movie.