A Quote by Paul Robeson

Get them to sing your song and they will want to know who you are. — © Paul Robeson
Get them to sing your song and they will want to know who you are.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
When you're a writer, your song has to resonate with the person you're writing for in order for them to want to sing it. But if you're an artist, you can sing whatever you want.
I do not want to know what you will hope for. I want to know what you will work for. I do not want your sympathy for the needs of humanity. I want your muscle. As the wagon driver said when they came to a long, hard hill: ‘Them that’s going on with us, get out and push. Them that ain’t, get out of the way’.
If I hear one of my songs by anybody, it's a dream come true every time for me as a songwriter, because I want to write a song, I want to write a song that the world can sing and will always sing.
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
I'm so bad at lyrics. I'm always trying to get better. Sometimes, the song can restrict your lyrics - if you're trying to make a poppy song, you don't want to sing something that sounds like it could be on an At the Drive-In song.
The song 'Hymnostic' is kind of a gospel song, and that song is really fun to sing with as many people as possible. And anyone can sing it, you know?
The 'Bryson' song was a focus track. I dropped so many gems throughout the whole song. I don't want no bars to go over nobody's head in my light songs. If you apply them to your real life, you will see change immediately. Apply it to your life and I just know it will help someone.
I feel like, when you turn on the radio and you hear a great song, you know it's a great song, and you sing along. We all know what a great song sounds like, so we all have that instinct, it's just being able to accept your own instincts when you write that song.
Certain songs have a life, and certain songs don't. A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life. And then other songs are only really important for certain periods of your life, and you move on from them and find yourself not necessarily needing to sing them anymore.
If you want something badly enough, make an attempt. If you want to paint, get a brush and do it. If you want to sing, sing. A lot of people get scared. They're afraid to fail. Take that word out of your vocabulary. You don't "fail." You've "tried your best."
I just sing the song and I sing it with conviction, meaning and I get into the mood of every song I do no matter how much time I have in between.
The thing about singing is that if you're having fun while doing it then people will have fun watching you do it. Like in karaoke if you're like "I don't think I can do it" and then you sing a song and you look terrified people will say, "Poor guy or poor girl, get offstage. You're killing us." But if you get onstage and you don't sing that well but you give it your all, people will be like, "Yeah, I'll chug beer to this!".
I don't know what makes a guy want to write songs and sing, but if you've got a message, you want to get it across. When I come up with an idea about the way I feel, I can really state it strongly in a song.
People who get implants, it's so depressing, you know... People - I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move your eyes down to where your nipples used to be, put your breasts up on your head, everybody will pay attention!
Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
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