A Quote by Paul Rodgers

Growing up in Middlesbrough [in England], I listened to artists like Chuck Berry, Little Richard, and Howlin' Wolf. It was like another world. Something happened to me when I heard that music. It leapt out of the speakers and went straight into my heart. And I thought, "Right, that's what I'm doing."
Growing up, I never listened to English music. I was more into Motown, as well as early rock n' roll like Chuck Berry and Little Richard.
The best musicians in the world were raised on the same kind of music I was raised on and that is black, soulful, authoritative, ultra-tight, ferocious, uppity, defiant music that from the Howlin' Wolf, the Muddy Waters, the Lightnin' Hopkins, the Chuck Berry, Bo Diddley, and Little Richard.
I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."
Isn't my music the last of the real rhythm and blues? Isn't it great? It's because of my musicians, we were weaned on Muddy Waters, Howlin' Wolf, Bo Diddley, Chuck Berry, Little Richard, Jerry Lee Lewis, all the founding fathers, the gods of thunder, who invented the foundation and the pulse of the greatest music in the world!
I watched Elvis Presley become - I listened to Elvis Presley. I watched Chuck Berry become. I listened to Little Richard. I heard that music, and it was part of my upbringing.
Rock n' roll sounded like music from another planet. The first time around, we had people like Elvis, Little Richard, Chuck Berry, Jerry Lee Lewis - all them people.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
I love early blues like Bessie Smith, Muddy Waters, and Howlin' Wolf. I listened to the way these people sang, and it was just beautiful - straight from the soul. That, for me, was an inspiration.
People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
We would not have rock and roll without Chuck Berry, and when I first heard Chuck Berry, I fell in love with that music, and when I saw him, I changed my whole career trajectory that I was on as a kid.
Several people inspired me like Lil' Wayne, Juvenile, the whole Cash Money camp, the No Limit camp, DMX, Jay-Z, Eminem, LL Cool J, I listened to all type of sh*t. I listened to R&B like Teena Marie, just good music - anybody that made good music. When I was growing up out west I listened to Twista, Do or Die, and Crucial Conflict. They were the "it" artists in Chicago. I wanted to be like them on TV and all of that so that's how it all started.
This is no condemnation of Chuck Berry, who I greatly admire. But Chuck Berry's music will not translate as well to orchestration because of its very three-chord rock 'n' roll nature. It is the music of the artists that are more pretentious, pompous or closer to the kind of big dramatic stylings that orchestras are good with.
Rock and roll came into my life when I was about 12, 13, when Little Richard and Chuck Berry had just started hitting the shores of England.
Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.
The first rock stars were incredibly theatrical. Little Richard and Chuck Berry and Elvis Presley - they were theater artists.
When I was in high school in the '50s, all pop music - Elvis, Chuck Berry, Little Richard - was aimed at teenagers. I loved that stuff.
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