A Quote by Paul Rodgers

I always think the audience should be part of the show. — © Paul Rodgers
I always think the audience should be part of the show.
I would love to be on a really good show and share all the stuff that goes into creating a big TV show and get my audience into it. I think that makes it personal and makes the audience feel like they're a part of it.
When the theater is gothic it matches the sensibility of the show. It's also very intimate. The audience is very close to the performers. The show is scary and the scary stuff always works best with an intimacy with the audience. And the show is erotic, and I think erotic always works best when it's close to the audience, as well.
I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
Once I'm performing the show, I think that hour show has a certain intimacy with our audience. And that intimacy is through the lens and the live audience is a witness to that, whereas the audience at home is actually the object of my efforts.
There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.
You should always think about the mainstream audience first and foremost, because frankly they are the people who are going to get the show recommissioned. There are not enough genre fans to support shows.
You always dream of being part of a show that reaches and thrills an audience.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
'Nach Baliye' has always been one of my favourite shows on television. I always used to be an avid follower of the show, and I always wanted to be a part of this show and am quite excited to be part of it.
My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.
I've always been switching around the show to accommodate the audience, and you know it really makes it a lot more fun for me and keeps it fresh so that I'm not complacent with the same show every night and with every audience.
We deliberately chose a small theatre so that the show was still intimate and the audience would become a part of the show.
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
I like it when you read a script and there's the part that you show to the other characters and then there's the part that only the audience knows.
I don't like doing 25 songs. I think that just kills the audience. I think the show should be 17, 18, 19 songs and encores.
I once got my stiletto caught in my horse's tail on stage and went flying into the audience. It was a mental gig, so I think the crowd thought it was part of the show.
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