A Quote by Paul Rodgers

I had a band when I was 14, and we would play around in my hometown of Middlesbrough, and we'd go to the club afterwards, which was the Purple Onion then. There would be live bands playing, and in between that, the DJ would be playing records.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I’ve been making electronic music for twenty some odd years but, because I grew up playing in punk rock bands, when I started touring, I thought in order to be a viable touring musician I had to do it with a band. I would DJ or tour with a full rock band.
From the very beginning, I had a lot of female role models in music. I would go to shows, and there were always women fronting bands and playing guitar or backing up and playing drums or bass in a band. That probably contributed to my belief in myself to go out and perform for people.
I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs.
As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.
We found ourselves becoming more serious about playing music than our friends were - or just more committed and had more meaningful connections. I realized then that I would probably be playing in bands for the rest of my life; that that's what made me happy. Even though it's awesome that people are paying attention - buying records or selling shows out - I never have that conscious thought about, "this is going to be the band that will tour the world."
If I had my way, I would build a lethal chamber as big as the Crystal Palace, with a military band playing softly, and a Cinematograph working brightly; then I'd go out in the back streets and main streets and bring them in, all the sick, the halt, and the maimed; I would lead them gently, and they would smile me a weary thanks; and the band would softly bubble out the 'Hallelujah Chorus'.
In September 2012, I got the blues pretty bad, so I stopped playing for a little while. I started to renew my playing by the time February of 2013 came around. I would go up and rehearse to different songs, play stuff like Count Basie records, jazz or rap.
I started playing around with local rock band swith the alto. And then, in a nutshell, somebody fell ill one night, the lead singer of one of the bands, and they knew I could sing, so they asked me if I would stand in. And I quite enjoyed it, actually, I must say, at 14. It was a real trip to have girls wave at you and smile and everything just because you opened your mouth and sang.
Around the age of 14, I was very discouraged from a coach. It was my first youth club team while playing soccer. She told me at the time that I wasn't good enough to play on the team, that I would never get into the game.
I was playing in bands before high school even. My first band I was in at 14. And we were playing just Beatles.
When I was a kid, I was playing in various bands - amateur bands, garage bands, weekend bands, you name it, around the area. At some point, I just wanted to try the whole 'Beatle tribute band' thing, so I found a local band that was doing that.
Deep Purple was sinking with Ritchie. We were playing to quarter houses in Europe, which is one of our strongest territories - in Germany. Smaller venues, and they weren't even full. So had we continued that way, and had Ritchie not walked out, we would have finished; that would have been the end of it.
The church we grew up playing at was not one of those churches known for its music, but it was just this all-around energy that would be happening because, at the same time we'd be playing in church, we'd be playing in the city jazz band under Reggie Edwards.
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