A Quote by Paul Rodgers
Being in a band is all-consuming, and I like to have a life.
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I'm in a funny position: I've been in one band in my life and that was with my brother. As incredible as that has been, I feel like I'm missing out a little bit on being in a real rock band - or how I imagine being in a real rock band to be. It's like being in a street gang: you all wear the same leather jacket or whatever.
So, we went from being an Athens band to being a Georgia band to being a Southern band to being an American band from the East Coast to being an American band and now we're kind of an international phenomenon.
I did not dream of being an entertainer in the sense of being the one out front. I dreamed of being in the band. As a child, I'm like, I'm going around the world, I'm gonna be in the band. That was my dream.
Part of the reason that I left the Pumpkins is because it was becoming all-consuming. Being the only member of that band who had two kids and a wife, it was a hard decision, but ultimately it was a decision I'm comfortable with.
We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.
We had a band called the Grainers. In our 12-year-old minds, this was like a double entendre for like being annoying and being a delicious donut. I got kicked out of the band for playing bass incorrectly. Like, I was playing it like a guitar. I was just so like twee and British, even as like the little 12-year-old boy.
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
We weren't like mates who decided to form a band. The other three met me because they were interested in being in the band that I was starting.
Tame Impala has two lives. One is the album, which is like a producer, and the other life is like a band: more of a live incarnation where we're basically a covers band for the albums that I produce.
It was great being together as a band, but much more difficult being brothers than it was being in a band.
In ancient times, we were users; we used the commodities in accordance to our needs. Using is not sufficient for the modern market; it needs consumers. Consuming means consuming things much more than the natural need of humanity or of any living being.
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
You take all the time to write a song: you have to let it ooze on out by its natural self and that is pretty time consuming. Then you teach it to the band so everybody gets all the parts. Then you rehearse it and road test it, and all that. Then you get to the studio and there is a new guy in the band who calls himself the producer, right? Huh. He either makes it or breaks it usually before nightfall.
Power is the thing that holds a band of perception together, and a band of perception is life for those who perceive in that band. If the band of perception were to go away, they would not exist.
In 2015, I told my band that I was taking a break so I could focus on my home life, go back to school, and try to remember what it was like to feel like a human being again.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
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