A Quote by Paul Rodgers
I look back on the early days of Free with Paul Kossoff with the most fondness of any of my bands, because I met him at a time when I was in London and very hungry, and we believed in each other.
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I met Paul Kossoff for the first time when I was playing in the back of a pub room in Finsbury Park in London in 1967. It was kind of a blues thing going on, and he came up and said, 'I'd like to have a jam.' So he came up and jammed with me, and I just loved his playing right from the start.
I'm very fond of an old map of London that used to belong to my father. I'm a big London fan, and the evolution of the city is astonishing, when you look back to Pepys and how small it was - everyone knew each other.
I went on tours with [Bob] Dylan - the big one was in 1975 and called Roaring Thunder Review. I knew him well because I met him around the time he did his second album, in 1963. He recorded one of my songs called Shadows. In the 1970s, it was suggested that we do a duet, because we had the same manager, Albert Grossman, who also managed Odetta and Peter, Paul and Mary. Dylan and I respected what each other did, but I just decided not to do it.
Paul and I don't see that much of each other these days, but I certainly still regard him as a friend.
The music certainly plays a major role. You can be free enough to comfort each other, to touch each other, to embrace each other, to engage each other, to not be afraid of each other. The music certainly has that very strong element. Go back to folk songs, gospel, jazz, and spirituals. See, all of that came out of tremendous pain and hurt, rejection, loss, alienation, and abandonment. What I'm doing is I'm expressing my pain and hope at the same time.
I arrived in Tokyo in around '81. Around that time, I visited London for about two months - it was the period just before Malcolm McLaren released his solo album Duck Rock. I'd met him when he came to Japan, so I visited him in London and spent one evening with him and his girlfriend over at his house. He told me, "London is boring right now. You should go to New York." So he called a friend in New York, who I think was an old assistant or someone who helped him record early hip-hop stuff over there.
Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.
Paul Ryan wants his weekends free? Fine - let's give him all 365 days free.
The second time I was there I met Marcel Duchamp, and we immediately fell for each other. Which doesn't mean a thing because I think anybody who met Marcel fell for him.
I told my team before we walked out on to the field in Tampa, I wanted them to stop and look each other in the eye - I mean really look each other in the eye because 10 minutes after we we're done beating the New York Giants, I knew that world would change; free agency, the business side of the business. I wanted them to appreciate this doesn't come very often. It may be the last time you have that opportunity.
Pharoahe Monch is a long time supporter of my music and I'm a long time supporter of his music so when we met each other it was almost like a natural occurrence.I met him before a few years earlier and we were just politicking with each other and we had a conversation about possibly doing something but our schedules have always been in conflict.
You have to remember that although Gandhi and Churchill only met physically once, their paths crossed again and crossed again all over the globe, from London and South Africa and India and back to London. In fact, I discovered that during the Boer War in 1899 they literally passed yards from each other on the battlefield.
You’re early.” I give him a mutinous look. Of course he thinks my being early is about him. It’s not. Mac was at Chester’s last night at eight. I think she’s hunting me. Since I can’t be late to avoid her, I have to be early. “Watch broke. Thought I was on time.” “You don’t wear a watch.” “See? I knew I had a problem. I’ll just dash out and get one. Be back tomorrow. On time.
I have seen so many bands and musicians fade away, especially the ones in my early days that treated me and my bands with contempt for no other reason than that they were headlining the show, not all though, with great exceptions such as Slade and Vinegar Joe.
I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.
And Paul hits this chord, and I turn to him and say, 'That's it! Do that again!' In those days we really used to absolutely write like that - both playing into each other's noses.
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