A Quote by Paul Rudd

Whatever I'm working on, the character I'm playing tends to slowly bleed into my own real life. Not in any kind of creepy, Method actor-y kind of way - it's just an innate kind of merging.
I made my way in this league playing special teams and then kind of worked my way into playing receiver. It was always just kind of doing whatever I could do and taking advantage of all the opportunities that I got.
I've never been a heavy practitioner of the method or, at least, with any specific intent; I'm kind of an impulse-based person. Like, I'm sort of waiting for something to happen that I'm not expecting, and I kind of want to jump on that train of emotion, whatever it is, both from myself or from the other actor.
Sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
It's like, sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
As I get older, I'm more willing to take on more, I guess. I feel more comfortable kind of being different characters and kind of stretching it a little more. Like with The Visitation. At least for me, being an actor, I have to draw from human experiences, so it was kind of a stretch playing that role. Kind of supernatural... kind of like what I did in The Crow actually.
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
I believe in God, but in my own unconventional way. We're not affiliated with any organisation, and I have no religious education of any kind, but I definitely have my own kind of ideas about it.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
Because I came to acting quite late, I kind of think one of the few attributes that I do have is that I try to be honest with the character, with the writing. I'm not a tricksy actor; I'm not exactly a scenery-chewing kind of actor.
I'm open to doing any kind of role and any kind of genre as long as it's interesting and as long as I feel it could be a great character to play. I never take into my own personal opinions or my own public image into account when I chose movie roles.
Generally, I think most of my writing tends to have some kind of magical element to it. That's the way I can access the emotional life of the character.
As a band, we just don't tolerate any kind of abuse or intolerance of any kind of LGBT people by any kind of government.
I think it kind of took being a character actor to kind of now enter into leading ladies.
There's kind of no rhyme or reason to what is appealing to any given actor. It just is, or it isn't. It's kind of like dating. You either connect to someone or you don't. You can't really say why.
If you compromise in any kind of movement or any kind of wave of revolution, if you sort of play the game, things are gonna change far more slowly than you need them to.
There are certain scripts that are just written in a way where, for whatever reason, I read it, and instantly that inspiration hit me and it was just kind of electric, and I didn't have to think about it. It just kind of went from there.
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