A Quote by Paul Rudd
I don't feel like a dork, but I certainly have many moments of nerdism, and I embrace it wholeheartedly. I've always cottoned to that crowd more, anyway.
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I certainly embrace all the movement that's going on these days about equality for women and equal rights. In general, I would apply that to all nationalities and all races. I think we do need more awareness, generosity, and compassion than we have right now. But in terms of feminism, I embrace it wholeheartedly. Not in a kind of militant way, but I've always known that it matters.
Steve, it's OK. I know Angle is a dork, but he's a dangerous dork, our dork and your backup dork!
Of course there are moments for everyone, and certainly for me, where you do feel misunderstood. You feel like you can't really connect. You do feel like you're alone in something.
You live for those pressure moments. Through an international career, you have ups and downs, but you always feel you are going to be tested in moments like that. It has taken me years to feel comfortable and to feel like I have good composure in those situations.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
I think one of the studio's characteristics is to embrace wholeheartedly what we feel is interesting; what we perceive to be worthwhile, cool, or beautiful; and to place these ideals at the foundation of the games we make.
I don't consider myself a nerd; I consider myself a dork more. I'm closer to a dork, if anything, just because I'm not good at stuff. I'm more like a failed non-nerd.
I feel like I've been very fortunate in that I've stuck like a burr to the dog-leg of the next generation of nerdism. I've been carried into the XXIth century on Bill Gates' pants-cuff.
For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments; for audiences to feel, like, 'Whoa!' It's always been my forte.
It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
I definitely learned to embrace the quiet moments onstage from Garry Shandling - relaxing and not fighting with the crowd, not raising your voice, not ever trying to win them over.
I have given myself dork shivers so many times that I would be an outright liar if I characterized myself as anything other than a pure, utter, and unadulterated dork.
Human behavior is so intriguing. I find myself giving thumbs up signs all the time. I know I look like an absolute dork, but I do it anyway.
There are certainly more Republicans who like President Trump than like 'Republicans in Congress,' and certainly many Republicans who already feel like their own Congress is a brake pedal of its own.
It's always liberating to feel like I'm changing my hair and know that my fans are supporting that. I like to feel like I'm really expressing myself, and when people embrace it, it feels like an authentic connection.
A lot of what inspired many musicians is celebrating differences, and people relate to that - more people feel like the unpopular, freaky one than the one in the in-crowd.
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