A Quote by Paul Rudnick

I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it.

Paul Rudnick

Quote Topics

Abandoned Aim Bit Characters Die Draft Find Finds First Fix General Get Good Help Help Me Immediately Important Interesting Later Little Little Bit Me Might More Much Need Nervous Night Onto Out Outlines Page Refine Rewrite Rough Shape Sketch Some Sometimes Take Tend Things Think Thought Time Trying Used Very Which Whoever Work Write

Quote Author

Paul Rudnick
American - Playwright
Born: December 29, 1957

Writing is so hard.... The first draft writing is so hard that sometimes in the beginning, before the work itself takes over, carrying you on its flood, you must give yourself rewards. "When I write this chapter, I can call my boyfriend." "When I finish one page more, I can get an ice cream cone." "If I write this section, I'll find a check in the mail."

Sophy Burnham

If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.

Terry Pratchett

Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.

Anne Lamott

I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.

Donald Ray Pollock

I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit. Sometimes the first draft will come out at 200 pages. I think and think and I go, "um this story is about the brother that appears on page 178." I go back and I rewrite.

Nia Vardalos

I write a very rough first draft of every chapter, then I rewrite every chapter. I try to get it down in the first rewrite, but some chapters I can't get quite right the third time. There are some I go over and over and over again.

Robert Stone

First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.

Terry Pratchett

Sometimes the characters develop almost without your knowing it. You find them doing things you hadn't planned on, and then I have to go back to page 42 and fix things. I'm not recommending it as a way to write. It's very sloppy, but it works for me.

Barbara Mertz

I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft. I can write more quickly than I can read.

John Irving

Some writers find that they don't know their themes until they've finished the first draft (I am one). They then rewrite with an eye toward balancing on that tightrope: not too contrived, not too rambling; does what I'm saying about the world below me actually add up to anything? Other writers pay attention to these things as they write the first draft. Either way, an awareness of the macro and micro levels of theme can provide one more tool for thinking about what you should write, and how.

Nancy Kress

Now I rewrite more and more severely, and I take great pleasure in cutting thousands of words out of first drafts; I think that's a pleasure worth learning as early as possible in one's career, not least because realizing that one can do it helps one relax into writing the first draft in which it's better to have too much material for later shaping than not enough.

Ramsey Campbell

When you screen it the first couple times, you're just trying to get the movie to work, trying to get the story to flow, trying to find out where your areas are where you have enough breath to laugh a little bit. So you're doing that the first two or three screenings, and then finally, you dial the movie in and it's working, and at that point, it's 50/50 as far as what's funny and what's working. Sometimes you'll put something in and it will just die so hard that it'll almost kill the movie.

Adam McKay

It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I'd written the story. I hadn't-I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It's in there somewhere-but I have to find it. I'll then write a third, fourth, and fifth draft, and so on.

David Sedaris

Sometimes things reveal themselves to you a little bit. I think it was Joan Didion that said, "We write to find out what we're thinking." And sometimes that happens.

Craig Finn

I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft.

John Irving

Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.

Marie Lu

A Quote by Paul Rudnick

Quote Topics

Quote Author

Related Quotes

Related Authors