A Quote by Paul Rust

Every day, I thanked my lucky stars that I got to work with Gillian Jacobs, who is such an amazing actor and brings so much depth to everything that we do. — © Paul Rust
Every day, I thanked my lucky stars that I got to work with Gillian Jacobs, who is such an amazing actor and brings so much depth to everything that we do.
Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.
I love my kids so much. They teach me something every day. It always brings richness to my work, and even more in life. I feel lucky to be able to do both.
A friend of mine wrote a script, a feminist romantic comedy. She had a feminist scholar consult on it. My friend said, 'Oh, my friend Gillian read it and really loved it.' She goes, 'Gillian Jacobs, you mean: Britta Perry, feminist icon?'
A friend of mine wrote a script, a feminist romantic comedy. She had a feminist scholar consult on it. My friend said, "Oh, my friend Gillian read it and really loved it." She goes, "Gillian Jacobs, you mean: Britta Perry, feminist icon?"
I've learned 90 percent of what I know from watching and listening to actors. A good leading actor is the rock of the show. Their energy and their tone really sets the groundwork for how everything is going to work. I've been lucky to deal with stars who are very giving and generous.
I don't know. I feel really lucky. I've just got work in the way that I really enjoy working. That's not too much fuss. Just getting up and going on set every day.
I've got a massive actor girl crush on Carey Mulligan, so I'd love to be buddies with her. She just oozes this joyful, natural innocence and always brings a nice emotional depth to her character.
The weird thing is that, with actors, filmmakers and directors, it doesn't really matter if it's Robert Downey Jr., who's one of the biggest stars in the world, when you start to work, he's a hardworking actor. At the end of the day, it doesn't matter who's a big star and who's an unknown actor from wherever. It's all about the work you do.
The last movie I did, I was very lucky: I got to work with probably the best actor of our era, Billy Bob Thornton. He's just incredible. I was like a sponge: I soaked up everything he had to say.
Most poor people are not on welfare. . . I know they work. I'm a witness. They catch the early bus. They work every day. They raise other people's children. They work every day. They clean the streets. They work every day. They drive vans with cabs. They work every day. They change beds you slept in these hotels last night and can't get a union contract. They work every day . . .
When you listen to a symphony orchestra, and the basses don't - there's no bass part, there's not that much depth. That's why I'm attracted to the instrument, the bass. It brings depth. It's like playing in a rainforest.
With every action oriented or adventure film, there's going to be a moment when every actor becomes a stuntman and every stuntman becomes an actor. You try to do as much of it as you can, but inevitably the studio wants you to finish the movie. So you've got to slow down and you're really got to defer to your team to make sure you do.
I've been so honored and so lucky to work with some amazing people. I've collaborated on amazing sets and with amazing crews.
In the 1970s and a lot of the 1980s, we would have thanked our lucky stars in the coalfield areas for growth of 1.75 per cent. The only thing growing then were the lines of coke in front of boy George and the rest of them.
The thing is this: I've got an amazing career in England that couldn't possibly get much better. I do the best theater around, I work at the National Theater, the Old Vic - which I'm sure you've heard of because it's the one Kevin Spacey runs - and I play the most amazing roles and work with the most amazing directors.
I feel so lucky. When an actor that has been struggling for so long makes the transition into being an actor full-time, it is the most amazing feeling. It's just sort of like a 3,000-pound weight gets lifted from you, and you're able to mostly focus on just being an artist, which is an amazing, blessed luxury I have.
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