A Quote by Paul S. Kemp

Original work has no floor and no ceiling. You can reach essentially zero readers or millions. — © Paul S. Kemp
Original work has no floor and no ceiling. You can reach essentially zero readers or millions.
In romantic comedies there's a certain ceiling and a floor that you can't necessarily love as hard, or hate as hard, or have as much pain, because you sink the shop of the romantic comedy. But in a certain drama, like some of the ones I've been doing, the ceiling and the floor was my own. And in many ways, that was a higher ceiling and a lower floor, so that was more of a band-with for those emotions.
Aim for the sky and you'll reach the ceiling. Aim for the ceiling and you'll stay on the floor.
We've heard a lot in recent polemic about how to win the fight for the corner office. But pushing up against a glass ceiling is practically a luxury when you consider the millions of women who can feel the floor dropping beneath their feet.
We're going to school for higher education in higher numbers, but the numbers still show we're not breaking though the glass ceiling. For every Nancy Pelosi and Hillary Clinton there are millions of women stuck in cement on the floor that are not getting up.
There are millions of chords. There are millions of numbers. And everyone forgets the one that is a zero. But without the zero, numbers are just arithmetic. Without the empty chord, music is just noise.
The only number that would ever be enough is 0. Zero pounds, zero life, size zero, double-zero, zero point. Zero in tennis is love. I finally get it.
A window looks outside, but a painting should do the opposite - it should look inside of us. When I put them in the middle of the room, I attach the paintings at the top to the ceiling and on the bottom to the floor. I prefer this to just hanging them from the ceiling because it creates a place in a space, like a wall.
When all the faces have been rejected and emptiness is left, you have found the original face. Emptiness is the original face. Zero is the ultimate experience. Nothingness - or more accurately NO-THINGNESS - is your original face.
Every ceiling reached becomes a floor.
Tithing is a bad ceiling but an excellent floor.
Are you really sure that a floor can't also be a ceiling?
Anyone with a cellphone essentially is their own broadcast network. If you can build a reach for yourself, you're essentially an influencer.
If we reach the debt ceiling, we don't have to default. Getting to that point just won't allow us to reach new debt.
My living room has an oak-wood floor, Persian carpets, floor-to-ceiling bookcases, a large ficus and large fern, a fireplace with a group of photographs and drawings over it, a glass-top coffee table with a bowl of dried pomegranates on it, and sofas and chairs covered in off-white linen.
Started underneath the floor, Now my money through the ceiling.
It is a very frustrating thing to be the face of a creative project and yet essentially have zero creative control over that project. Essentially, you're a pawn in the system.
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