A Quote by Paul Saffo

I've actually tried not to call myself a futurist for the last 25 years. I prefer "forecaster," but people call me a futurist, and it doesn't really bother me. — © Paul Saffo
I've actually tried not to call myself a futurist for the last 25 years. I prefer "forecaster," but people call me a futurist, and it doesn't really bother me.
Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary.
In 1981, I was a futurist - or at least I was a guy who put on a futurist hat occasionally - and I wrote about the 21st century.
It's like people call me a rock star or this or that. And I go, 'Don't call me that. I don't think of myself in those terms. If you have to call me anything, call me a chameleon.
People used to define me as a futurist designer, but, you know, the future is now for me.
I actually don't label myself, but... Some people call me queer; some people call me bisexual, whatever it is now. I'm happy with all of it 'cause it all sort of represents me, in a way. I spent a majority of my life in the closet.
Some call me director, producer, filmmaker. I prefer to call myself pube-king.
At the crowded Costanzi Theater in Rome, while I was listening to the orchestral performance of your overwhelming Futurist music,1 together with my Futurist friends Marinetti, Boccioni, Carrà, Balla, Soffici, Papini, and Cavacchioli, there came to my mind the idea of a new art, one that only you can create: the Art of Noises, a logical consequence of your marvelous innovations.
If you do a musical, it's really thrilling and it's a lot of work, but it's very rewarding. I would say, for me, what I like best is what I do, which is, I call it vaudeville, I call it live, I call it in concert, I call it what Bette Midler does, and what Garland did for years, and Ethel Merman.
I didn't want to call and schedule shows or call and make people listen to my music. Luckily, my friends and family really stayed on me and made me put myself out there.
I hardly see myself as a futurist.
Scarborough never really began to live until the summer of 1964 when the Beatles played the Futurist Theatre, and no one in the audience, least of all me, heard anything but the screaming.
I really would not call myself a fashion icon. I would call myself somebody who gets dressed by professionals...I would call me more of a monkey.
Once people enjoy what I do, I don't mind if they call me a magician or an illusionist or a hypnotist, entertainer, comedian, whatever people want to call me. I'm comfortable with all of the above, so I don't really mind at all what people want to call me.
Call me a braggart, call me arrogant. People at ABC (and elsewhere) have called me worse. But when you need the job done on deadline, you'll call me.
I didn't necessarily intend it for myself, but it just happens with Instagram and Twitter; people come up to me and call me Emrata; they don't call me Emily. That's my brand, my identity.
Sometimes when people get success they forget about the people that pointed them there or championed them into this position. I pride myself on really understanding. I wouldn't even call it keeping it real. I just call it keeping it me. When they tell me, "You're doing what you're supposed to do," it makes me go ten times even harder, because I know that there are people on the sidelines and they're watching me. They're cheering for me. I want to be the best me I could possibly be when it comes to them.
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