A Quote by Paul Scofield
I found at this point that effective acting wasn't what I wanted to do, that I didn't want to make effects, that I wanted, as it were, to leave an impression of a particular kind of human being.
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That's one thing that I've always wanted: to make my own decisions and not to be pushed. That has happened in my career, and I wanted to leave football, not football to leave me. I wanted to enjoy it as much as I could and to leave it a little bit earlier than too late.
I'm acting for the same reasons I wanted to become a diplomat. I've thought about it a lot and concluded that I wanted to become a diplomat because it was a way to explore human nature. For the same reason that at one point in college, I wanted to be a sociologist.
I had a talk with my older son a couple of days ago. I explained to him that I went to a therapist and I found out that I wanted two things very much: I wanted children and I wanted acting. My therapist said to combine this will be very hard. And being a parent is the hardest thing I've ever done.
We had established Harley Quinn as an accomplice to the Joker who was also crushing on him and found herself in the middle of this weird relationship being at the beck and call of his every whim. We wanted to stretch her and make her a stronger character, so to have her leave him and go off on her own was a story I wanted to tell for a while.
I always wanted to be someone in the entertainment industry. In my eighth grade slideshow, when everyone was like "show us what you want to be," everyone [said] doctor, lawyer, [but] mine literally said rapper. I wanted to be a musician, I wanted to be a superstar, I wanted to be on stage, I wanted to perform, I wanted to be in movies. But as you grow up, those dreams kind of fade away.
As soon as I heard there were people in Germany who wanted to restore the old part of Dresden, I wanted to help. Even before the Nobel, I had started this group, the Friends of Dresden. The destruction of Dresden made a big impression on me when I was a child, and I wanted to do this.
There were some particular themes that I knew I wanted to hit, and when I got deeper into the project I found that it was becoming serious in and on its own. By the end, it's not very funny at all. I think, now, that part of the power of the book is that the jokes are kind of sparkly distractions.
The impression that you are a demigod worried me. I wanted to be like an ordinary human being with virtues and vices.
I wanted to be a teacher. I love children, so I wanted to deal with children. Then I wanted to be a veterinarian. But by the age of ten or eleven, when I opened my mouth and said, 'Oh, God, what's this?' I kind of knew teaching and being a veterinarian were gonna have to wait.
I wanted to be a hero, then I wanted to be an actor. But always I wanted to be respected as a good human being.
In high school and college, I'd set a bunch of goals for myself. I wanted to be the lead effects supervisor on one of these really big, innovative visual effects productions, something on the scale of a 'Star Wars' movie. And I wanted to work on a project that wins the Academy Award for best visual effects.
I definitely wanted to be an actor. I didn't want to be on TV, I didn't want to be famous, I didn't want to be anyone in particular; I just wanted to do it. I see young people now who look at magazines, or American Idol and their goal is to have that lifestyle - to have good handbags, or go out with cute guys from shows, or whatever. But I definitely wanted to be an actor.
I can't be a hypocrite as a coach because as a player that's what I wanted. I wanted feedback, I wanted communication from the boss. I showed up for work, you can yell at me if you want, but I want input. So that's the kind of coach I want to be.
I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
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