A Quote by Paul Scofield

The Actor should make you forget the existence of author and director, and even forget the actor. — © Paul Scofield
The Actor should make you forget the existence of author and director, and even forget the actor.
In a way, as an actor, you do all the preparation and then you want to forget it and just play the scene. As a director, you can't forget it because somebody will remind you that you forgot something. But you can know your plan well enough that you still have a certain amount of freedom.
Forget being an actor-director: we, as citizens, have the responsibility to make the country a better place. And that doesn't mean advertising other people's agendas; it means looking at what is wrong and making it right.
I am not a star. I am an actor. I have been fighting for years to make people forget that I am just a pretty boy with a beautiful face. It's a hard fight, but I will win it. I want the public to realize that above all I am an actor, a very professional one who loves every minute of being in front of the camera. But one who becomes very miserable the instant the director shouts, 'Cut!'
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
Let's not forget that I am an actor and I'm a real budding, enthusiastic and ambitious actor.
I know that I am one and I've made a living as an actor and I enjoy being an actor, but when I'm not actually doing it, I forget that I do it.
A director, I forget who, told me that it takes 30 years to make an actor. And I believe that. You have to learn your craft, learn your trade - and also you have to live a life and experience things.
When there's an actor involved, the actor's talking to the director or the director's talking to the actor. But when there are not those two people interacting, it's all one person in your own mind, you have to be so extra-clear about what you need.
People forget I go to work. They forget that the Coleridge house was bought and paid for by the daughter of a travel agent and a barmaid from what the actor Richard Burton once described as the nightmarish 'featureless suburb' of Croydon.
I feel whatever an actor does on screen is something the actor 'does,' and what the director can do is to tell, talk or instruct. So, all the credit for an actor's performance goes to the actor alone.
We forget that stretch marks, cellulite and some stomach fat is natural. We forget that we are born human and physically can't be perfect. We forget that God doesn't make us out of plastic and silicone. We forget to be flawed.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
The other death for an actor is comparing yourself to other people: Forget someone else's path. Concentrate on your path. Otherwise, you get lost, and if you don't have joy in the work, forget it.
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