A Quote by Paul Scofield

A painting means as much to you as a string of pearls to an ape. — © Paul Scofield
A painting means as much to you as a string of pearls to an ape.
Think of a musical as a string of pearls. If you don't have a string, you can't put the pearls around your neck.
Impressions are like pearls; ideas are like the string that turns the pearls into a necklace. The string is invisible, but it is not dispensable and cannot be broken.
Faith is the silver thread upon which the pearls of the graces are to be hung. Break that, and you have broken the string - the pearls lie scattered on the ground.
I like to think about stringing songs together like a string of pearls, or a string of beads, but ultimately it has to be stuff that really works with the band, and gives a spin to the older material.
I think the pearls - one is a necklace, and another you have five hundred pounds of pearls, which may be one million pearls in a bowl - really show a kind of [society] condition.
I wish I was a woman of about thirty-six dressed in black satin with a string of pearls.
A word of kindness is seldom spoken in vain, while witty sayings are as easily lost as the pearls slipping from a broken string.
A word of kindness is seldom spoken in vain, while witty saying are as easily lost as the pearls slipping from a broken string.
If then, said I, the question is put to me would I rather have a miserable ape for a grandfather or a man highly endowed by nature and possessing great means and influence and yet who employs those faculties for the mere purpose of introducing ridicule into a grave scientific discussion-I unhesitatingly affirm my preference for the ape.
The human race is intoxicated with narrow victories, for life is a string of them like pearls that hit the floor when the rope breaks, and roll away in perfection and anarchy.
Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.
Remember God's bounty in the year. String the pearls of His favor. Hide the dark parts, except so far as they are breaking out in light! Give this one day to thanks, to joy, to gratitude!
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
I think I have been much of my life an irritant. But some people say that something good came out of my research, something valuable that could be regarded as a pearl, and I can assure those who worked with me it was you who made the pearls and I was merely the grain of sand, the irritant to produce the pearls.
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