A Quote by Paul Shaffer
Not only was it enough to be a cover band, it was perhaps the highest calling. After all, if you could play music recorded by others, stay true to the original, and still add fire and flare, why not?
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I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.
We are not a Zappa cover band. We only play Frank's songs that were recorded by the Mothers of Invention and I think a lot of those songs were complex.
In the 80s, in the cover band I was in, we'd slip in original material. If you didn't say anything about it, people just didn't care. Sometimes they'd ask where that came from and you'd tell them, but you still had to play a bunch of Willie, Waylon, and Merle.
There are a lot of disadvantages with the YouTube stigma, because no one wants to be known as just a cover band. It's all about the original music.
I want my people to understand that because only man is capable to laugh, that means laughter is the highest point of consciousness, the highest point of understanding, the highest point of evolution. That's why I have started calling laughter "the prayer time."
What originally established the band was cover songs like Not Fade Away. Then, later on, we got more well-known ones like Satisfaction, which you might say echoed the thinking of, well, any generation you care to name, including the present one. But we didn't set out on bits of paper that we were going to be the voice of a generation. The original aim of the Rolling Stones was to play blues. It wasn't even to play rock music.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
I was in a Led Zeppelin cover band in high school, and my highlight was playing "Misty Mountain Hop" at a coffee house in Wayne, Pennsylvania. I wasn't allowed to play any instruments; I could only be the singer because I was a girl.
I've been working on some original songs with the band that does the Led Zeppelin experience. We're going to start writing as an original band and see what comes out of it. It'll be kind of Zeppelin-esque because of the way the guys play - but there's nothing wrong with that.
We have many years to eat and sleep, but how many years do we have to make a difference in the lives of others? That's the highest calling any of us can have: Living our life so as to intentionally add value to others. But to do this, we have to make ourselves more valuable. We have to keep learning, growing, developing as leaders and taking responsibility for being the change we want to see in the world.
My brother had a big band in high school; after that we continued to play together, eventually forming a group called the Jazz Brothers, that recorded for Riverside Records.
Music, such music, is a sufficient gift. Why ask for happiness; why hope not to grieve? It is enough, it is to be blessed enough, to live from day to day and to hear such music-not too much, or the soul could not sustain it-from time to time.
When we recorded 'Iowa,' we jammed, we went through the songs, we played as a band and we recorded as a band.
Creating something that builds lasting value and changes the lives of millions of people requires forging a team that will work hard to overcome seemingly insurmountable obstacles, stand up to the pressures of fame and fortune, and stay true to the original vision long after others stop believing.
I want to sell tracks but at the same time I want to stay true to the music I like. This is why I love the underground scene because they can stay true to what they want to do.
I love to play music, and this is fun, and let's record this stuff in a way that we both like. That was exciting enough, so we just recorded it. There was no business in it until the very last minute, really. It was really as much of an extension of me writing the songs in my bedroom as it could possibly be.
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