A Quote by Paul Shaffer
When I discovered that I could tune into American radio stations after dark, this was the hippest thing to me. It sort of saved my life.
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When radio stations started playing music the record companies started suing radio stations. They thought now that people could listen to music for free, who would want to buy a record in a record shop? But I think we all agree that radio stations are good stuff.
We are extremely proud to represent all of Radio One's stations within the Katz Radio Group. For the past five years we have worked diligently alongside Radio One to build their business in the markets we have historically represented including Houston, Los Angeles, Philadelphia , Raleigh and Columbus. At a time of significant growth in the African American consumer market the addition of the remaining Radio One stations expands our ability to deliver strategic marketing solutions to our agency and advertiser customers.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers.
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
And in an era where radio stations that are inclined to play Styx music are your classic rock stations and the stations that play current music look at us as dinosaurs - the only way we could reach people with our new music, generally, is to perform live.
Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.
When I was growing up, I could tell you everything about the three radio stations in Nashville. My 12- and 14-year-olds can't tell me one radio station here but can tell me three on Sirius.
Living in L.A. keeps me in my car a lot, and I'm constantly flipping back and forth between the following Sirius/XM Radio stations: NFL Radio, MLB Radio, POTUS, MSNBC, CNN, and Fox News.
Music for me is this thing that's sort of saved my life over the course of my whole life, whether it be writing songs or listening to other people's stuff.
It's American Alternative radio stations that bug me. We're considered Alternative, but don't expect us to be played next to Blink 182 and Offspring. We're hardly of that generation.
On the radio I listen to the easy-listening stations, the jazz stations.
For Bobby and I to sing R&B and sound black was probably the stupidest thing we could do. White radio stations wouldn't play us because they thought we were black. Black stations wouldn't play us because they thought we were white. Any time you break ground, you go against the grain.
I don't know if me and my dad have necessarily touched on this because we talk about Reid but not a lot. But me wrestling, I think, ultimately saved my dad's career and not only saved my life but definitely put a whole other chapter that no one saw coming because it could've been rock bottom after my brother passed away.
For me, the monologue was the favorite thing I had done in radio. It was based on writing, but in the end it was radio, it was standing up and leaning forward into the dark and talking, letting words come out of you.
Your main radio stations, the stations that get the most listeners, don't play anything that has any kind of integrity to it.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
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