A Quote by Paul Shaffer

I don't know why this concept of what is hip became so important to me. — © Paul Shaffer
I don't know why this concept of what is hip became so important to me.
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
My mom always instilled in me that it was braver to ask for help when you need it. That has absolutely stuck with me over the years but became even more important in practice once I became a mother. It may sound trite, but the concept of 'it takes a village' really could not be more true.
I find it fascinating how hip hop as a culture mirrors every mythology from the beginning of mythology. The concept of the single mother and child - the Madonna concept. Hip-hoppers were raised in that.
If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.
When hip-hop was new and raw, it was all about being an MC. You wanted to be respected as a lyricist. But as the years passed and hip-hop became big business, hip-hop became like country, rock and pop. And so you now have people who write the songs for rappers.
My mother's records were formative for me, but when I became a teenager, I wanted to find songs that she wasn't hip to. She was so hip, though, that I had to go outside rock n' roll - so for about 10 years, I only listened to hip-hop, house and techno.
The concept of why is already in the vernacular. It is now a noun. "That company doesn't know their why." "They need to learn their why." "That politician needs to understand his why." We talk about it as a noun. That never existed prior to 2009. That never existed prior to 2006 when I first started articulating it. This is the most amazing thing to me. It has now become a concept. It's part of the way we think about businesses and transactions and decisions.
I felt I had to win. It seemed very important. I didn't know why it was important and I kept thinking, why do I think this is so important? And another part of me answered, just because it is.
I went to a Radiohead concert with Mr. Aaron Paul and became instantly hip. He's a great tweeter and took a photograph of the two of us. He said, 'Man, look at this! We've already got 800 hits in five minutes!' So this old dog became hip.
Why is the world round? Why do the suckas bite? Why do the freaks come out at night? Why they paint Jesus white? I sit and wonder why we breakin hip-hop laws, Doing videos in houses that we know ain't yours.
To me, what's really important about the Green New Deal isn't, like, one of the elements of it: it's the concept. It's the concept that we have a national emergency commensurate with a depression or a war. And then the second part of it, the concept that, in rising to meet that challenge, there's a ton of economic opportunity.
If you knew everyone's story, you would love them. You can't really hate anyone if you know everything that happened to them between their birth and now; why they became the way they became; why they have walls up or down. If you truly know someone, you'd get it.
As a kid growing up in a lower-class neighbourhood, where everyone around me was listening to hip hop, what was I doing listening to new wave, and why was that my favourite music? I don't know why, but it just spoke to me.
People say I'm destroying hip-hop, and I'm like, there's so much hip-hop, and it's so popular, so I don't know why I have the power to destroy it.
You have to take into account it was the cell phone that became what the modern-day concept of a phone call is, and this is a device that's attached to your hip 24/7. Before that there was 'leave a message' and before that there was 'hopefully you're home.'
When I became older and started to become more in tune with my political leanings, there was a disconnect between the feminist in me and the hip hop side of me, and I don't know if, in some way, those influences are also present in Tupac's work.
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