A Quote by Paul Simon
Then she kissed me and I realized she probably was right, there must be fifty ways to leave your lover.
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She said, why don't we both just sleep on it tonight,
And I believe, in the morning you'll begin to see the light.
And then she kissed me and I realized she probably was right,
There must be fifty ways to leave your lover, fifty ways to leave your lover.
The problem is all inside your head, she said to me
The answer is easy if you take it logically
I'd like to help you in your struggle to be free
There must be fifty ways to leave your lover.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
The way she kissed you in the Quarter Quell…well she never kissed me like that…I should have volunteered to take your place in the first Games. Protected her then…I guess it’s Katniss’ problem. Who to choose…Katniss will pick whoever she thinks she can’t survive without.
She glared at me like she was about to punch me, but then she did something that surprised me even more. She kissed me. "Be careful seaweed brain." She said putting on her invisible cap and disappearing. I probably would have sat there all day, trying to remember my name, but then the sea demons came.
She left for Juilliard the day after Labor Day. I drove her to the airport. She kissed me good-bye. She told me that she loved me more than life itself. Then she stepped through security. She never came back.
And, like a fool, she kissed him back. Kissed him a way that would leave no doubt about the way she felt about him. Kissed him because she knew the chances were slim she'd have very many kisses like that in her lifetime. Which is a sad thing when you're only seventeen.
And then he pressed into her. First his thighs, then his middle, his chest, and finally his mouth. She made a whimpering sound, but its definition was unclear even to her, until she realized that her arms had gone around him instinctually, and that she was clutching his back, his shoulders, her hands restless and greedy for the feel of him. He kissed her openmouthed, using his tongue, and when she kissed back, she felt the hum that vibrated deep inside his chest. It was the kind of hungry sound she hadn’t heard in a long time. Masculine and carnal, it thrilled and aroused her.
She's a yellow pair of running shoes, a holey pair of jeans. She looks great in cheap sunglasses, she looks great in anything. She's, "I want a piece of chocolate cake; take me to a movie." She's a, "I can't find a thing to wear." Now and then she's moody. She's a Saturn with a sunroof with her brown hair blowing. She's a warm conversation I wouldn't miss for nothing. She's a fighter when she's mad and she's a lover when she's lovin'.
she kissed him with all the aching longing that being this close to him evoked; she kissed him in all the ways he had ever kissed her, feeling faint with joy when he began to kiss her back, his mouth moving with fierce tenderness, then opening with fiery demand over hers, until their breaths were mingled gasps, and they were straining to one another.
But you'll be killed!" "I'll be fine. Besides, we've got no choice." Annabeth glared at me like she was going to punch me. And then she did something that surprised me even more. She kissed me.
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
After one moment of gripped immobility, the queen bent to kiss the king lightly on one closed eyelid, then on the other. She said, 'I love your eyes.' She kissed him on either cheek, near the small lobe of his ear. 'I love your ears, and I love'-she paused as she kissed him gently on the lips-'every single one of your ridiculous lies.' The king opened his eyes and smiled at the queen in a companionship that was as unassailable as it was unfathomable.
Nature must be viewed humanly to be viewed at all; that is, her scenes must be associated with humane affections, such as are associated with one's native place. She is most significant to a lover. A lover of Nature is preeminently a lover of man. If I have no friend, what is Nature to me? She ceases to be morally significant. . .
We came around the corner, I kissed her and after I kissed her she relaxed. And then I grabbed her and kissed her again and she was shocked! And that was what we wanted.
And then she realized that his presence was the wall, his presence was destroying her. Unless she could break out, she must die most fearfully, walled up in horror. And he was the wall. She must break down the wall. She must break him down before her, the awful obstruction of him who obstructed her life to the last. It must be done, or she must perish most horribly.
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