A Quote by Paul Simonon

It would be obvious for me to do conceptual art, and I think I've done it already with smashing bass guitars and whatever - I consider that as conceptual. — © Paul Simonon
It would be obvious for me to do conceptual art, and I think I've done it already with smashing bass guitars and whatever - I consider that as conceptual.
People who look at art don't really - don't go with the artist. They don't sort of accept what he or she has done and kind of go with it. There are always - either there's too much color or not enough color, either it's not conceptual enough or it's too conceptual. In other words, most criticism isn't what the viewer expected that it would do based on what they think you have done and that's good as far as I'm concerned.
There is a slight problem with being a conceptual artist these days: You won't get paid. But this levels the field and takes the art of money out of the field of serious art. The only conceptual artists who would conceive of making money on the Internet are a lowbrow species known as hustlers.
I think the term 'conceptual art' is a useful term for writers, a basket to put people in, like Pop Art or Impressionism or whatever.
All ideologies are idiotic, whether religious or political, for it is conceptual thinking, the conceptual word, which has so unfortunately divided man.
The most important lesson I received from Conceptual art consisted in the recording of simple and obvious things, and viewing them under a whole new light.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
The whole idea of a trade deal is to build a fence around participants inside and give them an advantage over the outside. So there's a conceptual flaw in that, one of many conceptual flaws in NAFTA.
It's actually now, more common to see conceptual productions of Shakespearian, which Hamlet is played as a Nazi, or a homosexual, or whatever concept is being laid over the play, then it is to see a production of Shakespeare in which there is no conceptual overlay and the play is simply being presented on its own terms.
When we first started, in the early Eighties, we had some crappy guitars - Japanese knockoffs that wouldn't hold standard tuning. Later, we'd shove drumsticks or screwdrivers under strings to scheme new noises, sure. But initially, open tuning was a technique used to make our cheap guitars sound better. It wasn't academic or conceptual.
All of the significant art of today stems from Conceptual art. This includes the art of installation, political, feminist and socially directed art.
I'm not knocking conceptual art; it's another department, but it doesn't move me like painting.
If I had gone to art college and everybody was being a conceptual artist, I probably would have wanted to be a portrait or landscape painter.
A conceptual scheme is never discarded merely because of a few stubborn facts with which it cannot be reconciled; a conceptual scheme is either modified or replaced by a better one, never abandoned with nothing left to take its place.
One of my most strong memories was studying with Mel Bochner, one of the, I think, high water marks of American conceptual art.
I'm not trying to do conceptual art.
All art (after Duchamp) is conceptual (in nature) because art only exists conceptually.
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