A Quote by Paul Sinha

The 'Red Hand Gang' was a special favourite of mine. It was an American show about a bunch of kids who solved crimes. — © Paul Sinha
The 'Red Hand Gang' was a special favourite of mine. It was an American show about a bunch of kids who solved crimes.
On television and in the movies, crimes are always solved. Nothing is left uncertain. By the end, the viewer knows whodunit. In real life, on the other hand, many murders remain unsolved, and even some that are 'solved' to the satisfaction of the police and prosecutors lack sufficient evidence to result in a conviction.
On television and in the movies, crimes are always solved. Nothing is left uncertain. By the end, the viewer knows whodunit. In real life, on the other hand, many murders remain unsolved, and even some that are "solved" to the satisfaction of the police and prosecutors lack sufficient evidence to result in a conviction.
Rachael Leigh Cook was my leading lady. She was awesome. We loved the show [Perception ]. Again, it was more of a TNT show, because there were crimes that got solved, which [going] back five years ago, was a mandate. But there was something innovative about the mental illness side of it.
We Die Young is about gang violence. That was something that was happening in Seattle, something that kinda opened our eyes. It just seemed like things were getting out of hand. Incidents where kids were getting shot, and getting their tennis shoes ripped off their dead bodies. It just seems like these kids are dying at younger and younger ages and getting involved in gang activity.
If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
We do know that the Bandido gang in Houston does drug deal. There are a bunch of people being convicted for heavyweight narcotics trafficking from the gang.
The influence of the Gang of Four should not be underrated, but it should be noted that 97 or 98 per cent of the population hate them intensely for their crimes. This was shown by the mass movement against the Gang of Four which erupted at Tiananmen Square on April 5, 1976, when the Gang were still riding high, Chairman Mao was critically ill and Premier Zhou had passed away.
Pettiness seems to go hand in hand with vindictiveness. The smaller the person, the larger the need for revenge. This may account for the fact that some consensual crimes have stiffer penalties than do most crimes with innocent victims.
I am very excited to be a part of 'Roadies Real Heroes,' as it has been one of my favourite reality shows, and I am now ready for an adventurous journey as one of the gang leaders on the show.
A formative influence on my undergraduate self was the response of a respected elder statesmen of the Oxford Zoology Department when an American visitor had just publicly disproved his favourite theory. The old man strode to the front of the lecture hall, shook the American warmly by the hand and declared in ringing, emotional tones: "My dear fellow, I wish to thank you. I have been wrong these fifteen years." And we clapped our hands red. Can you imagine a Government Minister being cheered in the House of Commons for a similar admission? "Resign, Resign" is a much more likely response!
I think my favourite thing about doing conventions is the parents taking their kids to see their favourite drag idols, because open-minded, progressive parents are making such a change in the world right now. The more open-minded these kids are being raised, the more hope I have for the future.
We're doing a bunch of shoots with kids about the election, about politics, about racism. I like to talk about heavy topics with kids because you find out what their parents are feeding them at home, and then you find out their quick reactions to things. It's so refreshing when kids are so honest.
On the one hand, people think they own kids; they feel that they have the right to tell the kids what to do. On the other hand, people envy kids. We'd like to be kids our whole lives. Kids get to do what they do. They live on their instincts.
All the Enid Blyton books - they opened my eyes to a bunch of kids living a life that was so far away from mine.
The climbs up the Hand of Fatima, which is 2,000 feet, and Naga Parbat, which is just over 15,000 feet, were spectacular. The Hand of Fatima and the Kaga Tondo, in Mali, is a personal favourite of mine.
I was in a group show at a museum in Torino, a lot of American artists installed in a floor of this museum. Another floor of the museum houses the most refined collection of arte povera in the world, which is perfectly selected and perfectly installed. I remember being struck by the contrast between the Italian works and the American. I would say the hallmarks of the Italian style are a poetical connection to nature and to materiality, materials, and exquisite taste. On contrast, the American work was essentially a bunch of bad-tempered, complaining kids.
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