A Quote by Paul Smith

I think I was really naïve. I had no context to think about what I wanted to do. Each step was a next stage of exploration. — © Paul Smith
I think I was really naïve. I had no context to think about what I wanted to do. Each step was a next stage of exploration.
I didn't have an acting job when I moved to L.A. I was just naive enough to think that moving to L.A. was the next step after college. My parents were really supportive.
Every stage of my life set the scene for the next, and at each point all I had to do was say "yes" and not think too much about the consequences.
For me art is a continuous discovery into reality, an exploration of visual data which has been going on for centuries, each artist contributing to the next generation's advancement. I wanted to go a step further and extend the boundaries.
I think one of the things about reinforcement learning is that it tends to require exploration. So using it in the context of physical systems is somewhat hard.
It's kind of crazy to think I'm still 22 and going into my fifth season. Time has been flying by. I think it's about that time I really take the next step to the elite level.
I don't think making love the new bottom line is naïve; I believe that thinking we can survive the next hundred years doing anything less, is naïve.
I love fighting and I love this sport, and as a competitor, I never really wanted to step away. But I have to be practical. I kind of had to think about how long I could continue to do this.
We're really at this point where we can take a step back and think about the next big things that we want to do.
I don't want people to think about one common thing. Coda is non-discursive, just like choreography for the stage. So each audience member's thoughts about it, or better yet, their feelings, will be different. Moreover, images contain so much information that one can see things that the next person won't notice. As a result, people will surely think about Coda in dissimilar ways.
You know, so often we think we have each step figured out. And then when one thing doesn't go our way, we begin to question, we being to fear what our next step will be.
The only thing I think I can be accused of about paparazzi is being really naive. I didn't think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it.
I think the first experience scared the hell out of me. Within months of my initial marriage [on Angela Bowie], I realized I had done a really naive and rather stupid thing. . . . I don't think either of us had any real resolve about being together. The result was it made me wary of relationships.
Only sometimes I try to think about it in context. When I think about the context of, "Oh, I'm this or that," in this society, that's one of the terms.
When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people.
The only thing I think I can be accused of about paparazzi is being really naive. I didnt think about it coming along with the job and I never, during my three years at drama school, fantasized about one bit of it.
Usually when you're playing with other people in not such a reverberant room, you have to be quick on your feet and think about stuff really quickly. But inside the cistern, it was almost like I was at home on my computer arranging and taking time thinking about the next step, the next note. Instead, the room was my collaborator. I could hear the note and sit there and think. I could be arranging as I was going in real time, which was fascinating.
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