A Quote by Paul Smith

In terms of any sacrifices at the time [of World War II], I was somewhat protected living on a small farm where there was food, different perhaps from living in a city environment. I know such things as gas rationing did exist, but it wasn't anything that interfered with my daily activity.
All of us who grew up before World War II are immigrants in time, immigrants from an earlier world, living in an age essentially different from anything we knew before.
I think, growing up in a small town - I grew up in a lot of different places. I grew up in a city environment, a more suburban environment, a more rural environment. That's the beauty of New Jersey is you get a lot of different types of living.
Back in World War II, we viewed the Japanese as 'yellow, slant-eyed dogs' that believed in different gods. They were out to kill us because our way of living was different. We, in turn, wanted to annihilate them because they were different. Does that sound familiar, by any chance, to what's going on today?
Upon the farm of the uncle with whom I lived, we did know of the mortgage as some dreadful damper on youthful hopes of things that could not be bought. I do have a vivid recollection that the major purpose of a farm was to produce a living right on the spot for the family.
World War II made war reputable because it was a just war. I wouldn't have missed it for anything. You know how many other just wars there have been? Not many. And the guys I served with became my brothers. If it weren't for World War II, I'd now be the garden editor of The Indianapolis Star. I wouldn't have moved away.
Before World War II, I was living a very cloistered existence, as most cartoonists do. The work I was pouring out did not come from any real, personal life experience; this was all the residue of the accumulation of Rafael Sabatini, O. Henry, all the short-story writers that I'd been reading.
As you look back in history, we [the United States] have done wonderful things, the Marshal Plan is the most obvious. After World War II, we spent billions of dollars to rebuild Europe or at least part of Europe after the devastation of World War II. We did it out of charity, but we also did it to keep the Russians from getting deeply into Europe.
A farm includes the passion of the farmer's heart, the interest of the farm's customers, the biological activity in the soil, the pleasantness of the air about the farm -- it's everything touching, emanating from, and supplying that piece of landscape. A farm is virtually a living organism. The tragedy of our time is that cultural philosophies and market realities are squeezing life's vitality out of most farms. And that is why the average farmer is now 60 years old. Serfdom just doesn't attract the best and brightest.
Remember, we know the end of the story of World War II and the Cold War. But day by day, living in fear of the Nazis and then in fear of the Soviets, the outcome was by no means certain.
One ... aspect of the case for World War II is that while it was still a shooting affair it taught us survivors a great deal about daily living which is valuable to us now that it is, ethically at least, a question of cold weapons and hot words.
Dalton's records, carefully preserved for a century, were destroyed during the World War II bombing of Manchester. It is not only the living who are killed in war.
I did not believe in the war. I thought it was wrong to go into any war. And I got to the war, and saw the Germans, and I changed my mind. I decided we were right going into World War II.
John Dalton's records, carefully preserved for a century, were destroyed during the World War II bombing of Manchester. It is not only the living who are killed in war.
I was born during the war and grew up in a time of rationing. We didn't have anything. It's influenced the way I look at the world.
It is futile for an artist to try to create an environment because you have an environment around you all the time. Any living organism has an environment.
Speaking more than one language and living in a multicultural family and environment did not seem like anything but what it was: the world I lived in.
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