A Quote by Paul Smoker

I use a lot of double-tonguing [using the tongue to control airflow]; that allows me to play as fast as if I was slurring, but with clean articulation on every note. — © Paul Smoker
I use a lot of double-tonguing [using the tongue to control airflow]; that allows me to play as fast as if I was slurring, but with clean articulation on every note.
She can play my guitar note for note, she likes to stick her tongue down my throat.
Well, John Doherty's playing was very unique. He bowed a lot and used staccato, while I slur a bit. I bow a lot as well, but I do a bit of playing a few notes with the one bow. As you go south there's more slurring with the bow. As you go north there's more bowing every note. But sometimes you get the combination of the two in Donegal.
You have to control what you can control, not the entire game, and try to play the best soccer possible and play clean and be smart and professional.
Articulation is the tongue-tied's fighting.
If you find a note tonight that sounds good, play the same damn note every night!
Having day dreams, tonguing you down with, uh, vanilla ice cream. Kissing on your thigh in the moon light, searching your body with my tongue girl all night.
Well, if you find a note tonight that sounds good, play the same damn note every night!
Breathing is fundamental to speech. A stammer is caused by erratic airflow, so if you have a smooth airflow, you have smooth speech.
I have a pretty fast metabolism, so I don't really have to worry about getting pudgy. What I try to do when I'm working out is taking in a lot of heavy protein - clean chicken, clean meats.
I actually saw a kid and went home and drew him. I don't even know who he was. I was buying a TV set in Circuit City. I was looking at this kid and he was kind of standing there, staring off into space. Kids are pretty chubby nowadays because of all the fast-food places. I grew up eating fast food but now everything is double beef and double cheese. So there are a lot of these chubby boys with long, baggy shorts.
Every note has to come out clean.
Here's a little song I wrote You might want to sing it note for note Don't worry, be happy In every life we have some trouble But when you worry you make it double Don't worry, be happy Don't worry, be happy now
We have the freedom to either play a tempo or not to play a tempo; to play a note or not to play a note; or to play what some people would say is a sound.
Playing live is about going for it .. it's about bringing it ... you should see a bunch of people trying out stuff, actually performing, instead of learning the record and recreating it note for note. I can't play the show the same way every night .. I really need to be in a creative environment, every night or I'll go nuts ... my manager accuses me of singing just long enough to get me to my next guitar solo - which is true.
If the tongue had not been framed for articulation, man would still be a beast in the forest.
Every time you turn on your new car, you're turning on 20 microprocessors. Every time you use an ATM, you're using a computer. Every time I use a settop box or game machine, I'm using a computer. The only computer you don't know how to work is your Microsoft computer, right?
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