A Quote by Paul Sorvino
When I was 25, I was in a show called 'Bajour,' and I was going to leave the show because I couldn't breathe. I couldn't sing, and I couldn't do the basic dance steps I had to do. Fortunately, two actors in the production - who were also yoga instructors - taught me some breathing exercises, and my asthma was cured that day.
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Let me say two things about the costs - one is that there are detailed studies that show this, this is what some of the Stanford studies show, in fact, that we get so healthier, so much more healthy, when we eliminate fossil fuel pollution - 200,000 [fewer] premature deaths a year for example. And that's just the death part of it. Not to mention the asthma part of it, the heart attacks and the strokes and the cancers. And we also call for a healthy food system that prioritizes sustainable healthy local food production.
I practice yoga at home to a TV show called 'Inhale,' taught by Steve Ross. I figured that if the people on the show could stretch that deep then I could too. I ended up pulling my hip flexor. But that's how I met my husband. Paul was the physical therapist my coach called to meet with me after hours.
There are not that many people who can say they have been on a show long enough to leave it. Usually, you don't have a choice. The show gets canceled. There are very few people who live in the rare air of being able to leave a show while it is still in production.
That air. The air afterwards. I wanted to breathe it in. It felt right to breathe it in. Because we were breathing them in, weren't we? And the building. We were breathing it all in. And I thought, there's a part of this that's actually a part of me now. I now have that responsibility. I am alive, and I am breathing, and I can do the things this dust can't do.
The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.
I'd still stand in line all day to get into an AC/DC show, because that was the one show when I was younger that kind of changed my life. Because it was a little wrong. I think I was 14 or 15, first concert without the parents, you know, and they were all worried because we were going to an AC/DC show, and it was an amphitheater.
I spent a year storyboarding and writing on a show called 'The Marvelous Misadventures of Flapjack' for Cartoon Network, which really taught me how to run a show. Or at least the idea of running a show.
'The Daily Show' was like my family. We had dogs in the office every day, all day. It was just such a warm, beautiful, sweet experience for me. Choosing to leave the show was so hard because I really, really loved everybody there, and I loved what it gave me and the platform it gave me.
Mother humor is such a universal theme. I wrote a show called '25 Questions for a Jewish Mother.' I had people coming up to me after the show saying, 'I'm Baptist, and my mother is just like yours.'
Fortunately for me, I had a father who didn't let us get away with anything. You were taught respect, and you were taught to be humble. That has a lot to do with how I am now, because I'm still scared of my dad.
In September, I left the show. We were going through discussions and negotiations, and I had been on the show for about 11 years, and there were some things that I was asking for that I didn't feel were the moon or the stars.
When my TV show was in production, dozens of women asked me out on Facebook. Some were shy about it; some were blatant. Some I knew, some were total strangers. But they went for it.
I'm working on a cooking show; I'm going to do some of it at Dallas Page's performance center. I'm going to do a cooking show called 'Dude Food,' where I show young guys how to eat good and clean, cheap.
Breathing, n You had asthma as a child, had to carry around an inhaler. But when you grew older, it went away. You could run for miles and it was fine. Sometimes I worry that this is happening to me in reverse. The older I get, the more I lose my ability to breathe.
Shake It Up is a buddy comedy based around dance. It's about two best friends Rocky and CeCe who live out their dream as background dancers on a show called Shake It Up Chicago. They have to navigate life as young teens going to school and dancing on the show.
Because we had to convince the scientific members of Transylvania that with the procedure I was using on the creature, Dr. Frankenstein could be taught to be a civilized human being, what I called a man about town. Instead of a monster who's going to kill their children, it was someone who could sing and dance.
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