A Quote by Paul Sparks

A lot of times, sets are not such fun places to be, and especially television sets, because everybody works so hard, and everybody's kind of grumbling about getting up at 3 o'clock in the morning and not getting home until midnight.
You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.
My dad is really the reason I have this hard work ethic. I can fully remember him leaving home at 5 o'clock in the morning and not coming back until midnight.
It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.
My home life is very much about getting up in the morning and getting to the gym or getting on my bicycle and making sure that I get to cook dinner for my boyfriend.
I'm very good at getting up in the morning - so much of my life has been spent on film sets where we start at the crack of dawn.
What the Lord wants is that you shall go about the business to which He sets you, not asking for an easy post, nor grumbling at a hard one.
A director on a film really sets the tone of how people go about things, so everybody is happy to be at work and everybody does their best.
It was three o'clock in the morning – the wisest and most accursed hour of the clock. But sometimes it sets us free.
I'm not the best filmmaker, but on the sets, it seems like everybody is having fun.
We actors are fortunate people, getting paid to do what we love - it's like getting paid to eat cake! There isn't much to complain about. In fact, on the days I have an off, I'm constantly telling my friends how I want to be on the sets because I miss it already.
I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work.
Everybody dreams about getting to the NBA and everybody dreams about having their own shoe. But when you're the face of a brand, you've got to kind of back off and let it all soak in a little bit.
Outside of 'Justified,' I do like to keep it to comedy. When I'm not there, I try to seek out stuff that sort of more along the lighter fare. I have more fun on those sets than I do on drama sets just because when it's heavy, it's heavy, and it's hard to get away from it.
I have this fantasy of my older days, painting or sculpting or making things. I have this fantasy of a bike trip to Chile. I have this fantasy of flying into Morocco. But right now, it's about getting the work done and getting home to family. I have an adventure every morning, getting up.
I am used to doing dramatic work, but its fun to grab a gun, and go running around, getting beat-up. Its fun to do the action stuff, because it is really physical. There is nothing like getting into a character by getting beaten up physically.
When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.
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