A Quote by Paul Sparks
I think of myself as more additive than initially creative; I don't come up with the stories.
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I love collaboration. I love working with people to come up with something better than what I initially thought. With directing, you have to be controlling in a lot of ways, but I find myself trying to battle against that, to not be controlling, because that's when great things can come about, beyond how great you think you can be.
I think I've gradually learned to become more of a frontman than I was initially. I mean, when I first started, especially playing with Alter Bridge, you know, I really considered myself more a guitar player who sang.
Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.
False stories used to affect me initially. But now, I've come to understand that if false stories are created, they are also forgotten in the long run.
What does seem to be a constant is that I write more emotional stories the older I get. I think a lot of that has to do with growing up in a patriarchal structure where unemotional intellect (male) is taken more seriously than delving into emotions (female), and gradually freeing myself from those expectations.
I do not think of myself as unusually creative. I think we all come from the creator, each human being streaming with the glory. So each one of us is creative.
I don't necessarily think stories have functions any more than diamonds have functions, or the sky has a function... Stories exist. They keep us sane, I think. We tell each other stories, we believe stories. I love watching the slow rise of the urban legend. They're the stories that we use to explain ourselves to ourselves.
My father, if anything, first and last, was a man of words. He loved stories; he didn't live for stories, exactly, but I think he lived through stories. I think, like many writers, he loved stories about things he had experienced as much as, if not more than, he loved the experiences themselves.
I've proven I'm courageous. I'm gutsier than anybody; I've got a better imagination than anybody; I'm essentially more creative than any other actor I know, and I've proven I take risks. I don't think I need to prove anything to myself any more.
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
As I get older I find myself thinking about stories more and more before I work so that by the time I eventually sit down to write them, I know more or less how it's going to look, start or feel. Once I do actually set pencil to paper, though, everything changes and I end up erasing, redrawing and rewriting more than I keep. Once a picture is on the page I think of about ten things that never would have occurred to me otherwise. Then when I think of the strip at other odd times during the day, it's a completely different thing than it was before I started.
Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.
Initially, I know that I handled it worse than she did and I think partly because I've always been... every bit of adversity I've faced up until the last year and a half is adversity I brought upon myself - or the opposing teams have given me.
It's easier to come up with new stories than it is to finish the ones you already have. I think every author would feel that way.
Obsession remains the price of creation, and the writer who declines that risk will come up with nothing more creative than 'The Foxes of Harrow' or 'Mrs. Parkington.'
I think good creative writing opens up space for people to come into. Let God reach out and touch the human soul. That's not my job. I get to be present and create as much space as I can ... That frees me up just to be creative in the way I want to be.
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