A Quote by Paul Sparks

As far as the destiny of the character, I just play them until they're gone. I try not to get too involved. — © Paul Sparks
As far as the destiny of the character, I just play them until they're gone. I try not to get too involved.
We send cruise missiles and then we think everything's all right or we try to bring them to trial. My friends, this time they've gone too far. This time we're serious. This time we won't quit until they are gone, completely gone from the face of the earth
It's only when people get involved, when there's money involved, that you have a lot opinions around you. I try not to listen to them too much.
With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
I really don't (stay calm) all the time. I just try to. Part of not just racing but in life, I try not to let the highs be too high and the lows be too low. I try to stay somewhere right in the middle. In racing it's not always easy to do. You can get too excited or overconfident when things are going good and it's easy to get too far in the ditch when things are going bad.
I don't try to get all the meat off the bone. When I get a good figure, I just move something. Too many people try to hit the peak price, and they hold on until it is too late.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
In these negotiations we are not a helpless object, although great world powers are involved. We play an active role and try to influence our destiny; we have our own trump cards and we use them.
I just love to act. I like to get away, totally play a different character, someone you can get really involved in knowing. I've gotten really involved in some characters and written down little summaries of where they live and what their families are like.
As time has gone on I've felt less and less need to play too many notes. That's something you do when you're younger, you play far too much and too fast.
When you get to set, you don't try to play the plot; you just play the character.
I'm wearing three hats; I'm acting, producing, and directing. I was very involved in developing the script, too. But to me, that is very liberating. To me, the lower the budget, the more I want to be involved. I want to be more in control of my own destiny when there isn't much money involved, because you don't have the experts who can control your destiny.
Shame tells you when you've gone too far. Then you try if it's okay to go too far. And it might be so that shame was right. You can never, never know that.
You'll never find your limits until you've gone too far.
I always try to take from past performances. You never try to get too high or too low. Just play every game, just treat every game like it's the same.
When Jerry Springer thinks you've gone too far, my friends, you have gone too far.
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