A Quote by Paul Sparks
The characters I've played that I like the most are people that have a lot of obstacles. They have a lot of bad things going on. They're seeking to do something good amidst all the detritus around them, and they're aware of how badly they've screwed it up. That kind of self-awareness is tragic.
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You are awareness. Awareness is another name for you. Since you are awareness there is no need to attain or cultivate it. All that you have to do is to give up being aware of other things, that is of the not-Self. If one gives up being aware of them then pure awareness alone remains, and that is the Self.
Dance Theatre of Harlem has done a lot of good things well, a lot of good things badly, and a lot of bad things - it doesn't matter how.
Self-awareness is a character trait that's horrible to have if you're a performer. I think that a lot of these performers that we see get up on stage and play music, there's a sense of them truly not caring how they're coming across. They are just themselves. I look up to a lot of people who are like that.
You end up loving every character that you play but a lot of the people I've played, I should just say for myself, I played, I wouldn't necessarily want to continue playing them. I've done them. It's like going on a trip. You go, you're amazed, you're glad you're there but you're glad to get home. And that's how I feel most of the time.
In terms of performance, something unexpected is always good, it's preferable if it's unexpectedly good. But unexpectedly bad has a lot to say for it as well. It's always nice to be able to look back on a show and say, "Oh, that's the night that this happened," and a lot of the worst memories are better than the shows with no memories. A good rehearsal is a lot harder to describe. A lot of rehearsals that end up feeling best are the ones where something really bad was happening, and you just kind of got past it and fought through it. Just dealing with things that are inevitable.
For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.
A lot of times, when someone's going to pick up a game, it can be a bit daunting, like if they haven't played a roleplaying game, or they haven't played things in the series. We spent a lot of time on flow. How it feels to move through the world. How the game rewards you depending on which way you turn.
Along the way there's going to be a lot of obstacles, a lot of adversity, a lot of people who will tell you you're not good enough. I'm here to tell you that you are. Everyone that tells you that you're not is because they didn't accomplish something.
You just - no matter how good things are, or how bad things could be, there's always going to be negativity or something like that going on, and you just gotta, you know, embrace it, I guess. But don't let it dictate kind of like how you're going to live.
I don't think I change, but it definitely makes me aware of some of the things that are inside of me. Actually, because I have played a lot of villains up until now, I put something of myself into these roles. So when I see myself on the screen I'm more aware of when I'm like them in real life. I can feel it. That's the character you play; that's the guy you don't want to be. So I'm more in control of it.
I think most teen comedies are probably played in a way that aren't geared towards people that are wanting to be entertained but also [see] something that has a lot of heart to it. The things we do in the movie - it has a lot of heart, and also it's really smart. The people and the characters that we are, we're really intelligent people that are using our tactics to get back at a guy. The moral of being who you are, and trusting yourself, finding your inner strength - I think that's something that most teen movies don't really dial into.
There are a lot of movies that are badly made that I love, and there are a lot of movies that are just beautifully made but I don't like them. And critics have a tendency - that's all they focus on, which is, "I like it. I don't like it. It's good. It's bad."
Architecture and building is about how you get around the obstacles that are presented to you. That sometimes determines how successful you'll be: How good are you at going around obstacles?
Once I wrapped my head around the idea of going and ignored a lot of people that were saying a lot of bad things about going to the US to play football, it was a great decision for me.
I know a lot of animal communicators and I think a lot of them are just good behaviorists because they pick up on a lot little posture things like how the eyes look, the posture of the cat ears, is it tense? They're picking up just a lot of their body cues from the dog, the cat or the horse.
I've played a lot of cops and a lot of bad guys, so I would like to play a regular person and just live a regular life with something interesting about it. I love the idea of television and kind of infiltrating that.
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