A Quote by Paul Stanley

Credibility is someone else's idea of what I should be doing. — © Paul Stanley
Credibility is someone else's idea of what I should be doing.
If someone wants to start a business but they don't have an idea that they are specifically passionate about, then it may not be the right time for them to start it. Instead, they should work with someone else who is doing something they care about in the meantime until an idea comes up.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
Some people think it's psuedo-science, but it's called morphic resonance. It's when someone thinks of an idea, it makes it easier for someone else to think of the idea. That's why you should do crossword puzzles later in the day, because other people have thought about the answers. That's why you hear about people coming up with inventions almost at the same time, because someone else is thinking about it. That's why whenever I have a really good idea, I'm always worried about theft.
That is the beauty of doing something when you're older. It doesn't matter what anyone else says because you're not doing it to build credibility.
Maybe happiness is this: not feeling like you should be elsewhere, doing something else, being someone else.
The way I was brought up in improv was that any idea you have is not as good as your partner's idea, so if I see someone else initiating at the same time I am, I just defer to them because I assume their idea is going be better. And hopefully, they're doing the same with me.
If people are taking my book seriously and organizing, getting into office, caring about the constitution, and not waiting for someone else to lead them, I think, God bless them. All of us should be doing that. The left should be doing that.
I came to realize that exaggerated concern about what others are doing can be foolish. It can paralyze effort, and stifle a good idea. One finds that in the history of science, almost every problem has been worked out by someone else. This should not discourage anyone from pursuing his own path.
I tried to do Kwanzaa with my family and was like, 'This sucks. What am I doing this for?' For me, I felt like I was doing it because I was trying to live up to someone else's idea of what 'black' was.
What does it mean for a painter to paint in the manner of So-and-So or to actually imitate someone else? What's wrong with that? On the contrary, it's a good idea. You should constantly try to paint like someone else. But the thing is, you can't! You would like to. You try. But it turns out to be a botch... And it's at the very moment you make a botch of it that you're yourself.
I have a hard time working with other people with my own songs because I have a pretty complete idea of how it should be. It's usually just me multi-tracking which is better than coercing someone into doing my idea.
Doing something for someone else, or working for somebody else, helps you push yourself beyond what you think is possible, or beyond what is possible just doing something for yourself. My faith, my family, whatever, if you're doing it for someone else, you're always going to push a little bit harder.
I'm horrified at the idea of intimidating someone. I think that's the opposite of what we should be doing.
When you write a song you have an idea of how it should be sung but it doesn't work out that way if someone else records it.
When you write a song you have an idea of how it should be sung but it doesn't work out that way if someone else records it
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
This site uses cookies to ensure you get the best experience. More info...
Got it!