A Quote by Paul Strand

Photography... is either an expression of a cosmic vision, an embodiment of a life movement or it is nothing - to me. (1919) — © Paul Strand
Photography... is either an expression of a cosmic vision, an embodiment of a life movement or it is nothing - to me. (1919)
Rock-and-roll was an example of change in the body of the culture. I think it's really what helped bring the anti-war movement to its peak and moved people into the streets to seize the day - the movement was the embodiment of what was happening in the music. This is what taught me that it was possible to bring art and activism together. Without that piece, that energetic embodiment piece, the rest is just intellectual construct.
In its outward manifestation, meditation appears to involve either stopping, by parking the body in a stillness that suspends activity, or giving oneself over to flowing movement. In either case, it is an embodiment of wise attention, an inward gesture undertaken for the most part in silence, a shift from doing to simply being. It is an act that may at first seem artificial but that we soon discover, if we keep at it, is ultimately one of pure love for the life unfolding within us and around us.
I hate that expression, 'fusion.' What it means to me is this movement where nothing ever really fused.
I love physical movement. Dance was my favorite thing, and I was a gymnast. I find that expression through movement is easier, in some ways, than expression through words.
Good photography is not about Zone Printing or any other Ansel Adams nonsense. It's just about seeing. You either see or you don't see. The rest is academic. Photography is simply a function of noticing things. Nothing more.
Photography is nothing-it's life that interests me.
We used the camera only as a means of expression and as a visual medium that offers possibilities found in no other artistic technique, possibilities that the eye cannot catch in their totality. We tried to establish a characteristic vision of photography.
[Photography] remains servile to a thoughtless vision of the world... As the term snapshot suggests, photography seizes the moment and exhibits it.
A thing is either alive or it isn’t; there is nothing that is almost alive. There is but the remotest possibility of the origin of life by spontaneous generation, and every likelihood that Arrhenius is right when he dares to claim that life is a cosmic phenomenon, something that drifts between the spheres, like light, and like light transiently descends upon those fit to receive it.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
Art is expression; what is expressed is often the vision of a subtle and powerful soul, and also his experience with his vision; and however vivid and skilful he may be in the means of expression, yet it is frequently found that the master-spell in his work is something felt to be indefinable and inexpressible.
I can look back . . . at two distinct periods of opinion whose foundations I have successively come to distrust - a period before 1919 or so, when the weight of classic authority unduly influenced me, and another period from 1919 to about 1925, when I placed too high a value on the elements of revolt, florid colour, and emotional extravagance or intensity.
All art is a vision penetrating the illusions of reality, and photography is one form of this vision and revelation.
It is not the natural movement of film that gives the objects their expression, but the artistic movement, that is to say, a rhythmical movement regulated by itself in which variations and pulsations form a part of the artistic design.
For what we call illusions are often, in truth, a wider vision of past and present realities - a willing movement of a man's soul with the larger sweep of the world's forces - a movement towards a more assured end than the chances of a single life.
Seeing lesbian photography is just the tip of my radicalized clitoris. I have modeled for, commissioned, published, and fought for these pictures, and answered threats against them. I've seen the feminist movement bring these pictures to life, and I've seen that same movement try to suppress the liberating results.
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