A Quote by Paul Strisik

You can write a letter with a typewriter, a pencil, or a crayon. What you have to say is the important thing. — © Paul Strisik
You can write a letter with a typewriter, a pencil, or a crayon. What you have to say is the important thing.
If you want to be a writer, all you need is a piece of paper and a pencil, and I had a manual typewriter. It doesn't cost money to write. It costs money to make art. So I would just write. I would hand out stories in the classes in high school. And the teacher would say, "Whatever you do, don't become a writer."
I don't use a typewriter, I write longhand, with a pencil. Essentially I'm a horizontal writer. I think better when I'm lying down.
Russian is such a tough and complex language that I am happy enough to understand everything and read most things pretty well, but, without constant practice, my speech is not what I wish it was, and I would sooner write in crayon than write a letter in Russian.
The creative act is like writing a letter. A letter is a project; you don't sit down to write a letter unless you know what you want to say and to whom you want to say it.
When forced to leave my house for an extended period of time, I take my typewriter with me, and together we endure the wretchedness of passing through the X-ray scanner. The laptops roll merrily down the belt, while I’m instructed to stand aside and open my bag. To me it seems like a normal enough thing to be carrying, but the typewriter’s declining popularity arouses suspicion and I wind up eliciting the sort of reaction one might expect when traveling with a cannon. It’s a typewriter,’ I say. ‘You use it to write angry letters to airport security.
Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.
I have had the irreplaceable opportunity of learning my profession with the proper tools, the most important of which is not a pencil or a typewriter, but the necessary time to think before using them.
History written in pencil is easily erased, but crayon is forever.
I like 'pencil-necked weasel'. It has 'pencil' in it. Pencils are good things. You can draw or write things with pencils. I think it's what you call someone when you're worried that using a long word like 'intellectual' may have too many syllables. It's not something that people who have serious, important things to say call other people.
When I write, I use an Underwood #5 made in 1920. Someone gave me an electric typewriter, but there's no use pretending you can use machinery that thinks faster than you do. An electric typewriter is ready to go before I have anything to say.
Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father
I write on the typewriter. I like it because I like the feeling of making something with my hands. I like pressing the key and a letter comes up and is printed on a piece of paper. I can understand that.
It was pure guesswork on my part back in 1979 as to whether I would have the stamina to write, pencil, ink, letter, tone, and fill the back of a monthly comic book for 26 years.
The use of the right word, the exact word, is the difference between a pencil with a sharp point and a thick crayon.
Every first thing is always a miracle. The first person you fall in love with. The first letter you receive. The first stone you throw. And in my conception of the novel, the letter becomes important. But what's more important is the fact that we need to continue to tell each other stories.
Friends will write me letters. They run out of room on the front of the letter. They write 'over' on the bottom of the letter. Like I'm that much of a moron. Like I need that there. Because if it wasn't there, I'd get to the bottom of the page: 'And so Kathy and I went shopping and we--' That's the craziest thing! I don't know why she would just end it that way.
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