A Quote by Paul Taylor

My sound is very smooth. Not to be to cliche, but really sensual and sultry. — © Paul Taylor
My sound is very smooth. Not to be to cliche, but really sensual and sultry.
Skin bathed in summer sunset light is sultry and sublime. Every woman looks irresistible in its glow-relaxed and sensual.
It may sound cliché, but it really was an honor to be nominated. As an actor, nothing is guaranteed.
I think scent is sensual. I guess evoking a mood or a spirit is key, and I think with the women's fragrances we have evoked different types, moods or sensibilities of a woman - whether it's Daisy with the sweetness and the innocence or Lola which is more provocative, sexy and sultry.
For me, beauty really does come from within, and that may sound cliche, but it's true.
Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
I'm coming from a Ginuwine and Usher background: slow and smooth songs. And that's why I really connected to Sam Cooke, because he was just very smooth. It's not like the James Brown types, which is all great stuff, but he was totally set apart from those guys.
I want to tap into different styles. Something definitely mature, sultry, sensual, easy listening that everyone can enjoy. Every one of every race and everyone that likes different styles.
It's a cliche that music rises above it all, and it's a cliche for a reason - it's very often true.
I never made a distinction, really, between music and sound. Let me explain what I mean by that. I grew up near to a train station, and the sound of the trains became a very important part of my world. It was a very musical sound to me.
I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.
I think that when you're writing plays, and I think it's also true with novels, it helps to have an ear for the music of language, for what we call poetry, for the sound effects and the way that the sound can produce sensual feeling at odds with or consonant with the content of the work. Your work is also gorgeous writing. It's very unfortunate when you open a novel that everybody's loving and it's just, you know, an excruciatingly bad sentence.
The odd thing about Bob is that even though he's known as really taking chances and being very sensual, he was also a very moral man.
I really want to be known for my work. That sounds like such a... cliche, and I've thought about how else I can say it to make it sound less hackneyed. But that's what it comes down to... I know people are interested in these things.
It's a cliché, but also a deep truth (as cliché's tend to be), that you can't love another person very well if you don't love yourself.
I don't think of my life as a cliche, but I'm a cliche eccentric. Complete with a strange name - I mean, who's named Val? How many Vals do you know? I mean, really?
With 'Pete's Dragon,' Disney was very excited about the movie I wanted to make; they were very supportive of it, and it was a smooth process. I was really surprised by that.
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