A Quote by Paul Thek
Inside the glittery, swanky cases-the 'modern art' materials that were all the rage at the time, Formica and glass and plastic-was something very unpleasant, very frightening, and looking absolutely real.
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But in the beginning, when you're looking at this and you're thinking about it, the CDC gets brought up to this place to deal with this virus and it's something that they've never seen. That, in itself, is quite frightening in a story because real-life epidemics are something that happen, all the time. I think there were just a couple of reported cases this last week in Vancouver of some people passing away with H1N1.
We're going to show great heart. DACA is a very, very difficult subjects, one of the most difficult. You have these incredible kids in many cases, not in all cases, in some of the cases they are gang members and drug dealers, too. But you have some absolutely incredible kids, I would say mostly. They were brought here in such a way, it's a very, very tough subject.
There's something frightening that comes with freedom. And there was something very frightening for a lot of slaves once they were free and were going through Reconstruction. It was like, what do you do now? There was nothing set up.
When I went to Europe a few years ago, I felt very at home there, and I loved standing in Notre Dame and looking at all the gargoyles on the outside of that building and realizing that, as scary and frightening as they were, what I was looking at was something that was built to the glory of God.
There's other things I'd like to do. I probably won't tour for a very, very long time. It's something that you feel inside and that's the way I've been looking at everything.
I was actually very surprised after using some plastic necklaces on the strings, as the sound was very bright. Sometimes I just put something inside that lies next to me.
I was so absolutely riveted, I felt I was looking into the eyes of the artist. Art just closed the gap of time and space. The 16th century became as real to me as the 20th. It was something magical.
Recycling is more expensive for communities than it needs to be, partly because traditional recycling tries to force materials into more lifetimes than they are designed for - a complicated and messy conversion, and one that itself expends energy and resources. Very few objects of modern consumption were designed with recycling in mind. If the process is truly to save money and materials, products must be designed from the very beginning to be recycled or even "upcycled" - a term we use to describe the return to industrial systems of materials with improved, rather than degraded, quality.
I just can't stand to look plain, 'cause that don't fit my personality. I may be a very artificial-looking person, but the good news is, I'm very real on the inside.
I was lucky that I started very young, since I had a very clear idea of what I wanted to do. But my father is very conservative, and he never considered fashion to be a real career but something I could pursue as a hobby. He wanted me to be a doctor, and at one point, I thought of becoming a plastic surgeon.
This is where our obsession with going fast and saving time leads. To road rage, air rage, shopping rage, relationship rage, office rage, vacation rage, gym rage. Thanks to speed, we live in the age of rage.
We're now able to 3D print in 200 different materials, from titanium to rubber, plastic, glass, ceramic, leathers, and even chocolate.
Take free speech: most of the tough cases on free speech involve very unpleasant people saying very obnoxious things.
What they were giving me seemed incredibly real to me, so I'd react to it in a very real way. That was frightening for me, especially because of the subject.
I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.
To be very fair, it was Ian Marsh and Martyn Ware who started The Human League. They brought Philip Oakey in to sing, primarily because Philip was very tall. So it started out as their vision. I don't think anyone ever thought it would be as big as it became. Music evolves and people were looking for something different. We came out at the right time and were just very lucky.
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